Kapitel in diesem Buch

1. Frontmatter i
2. Contents v
3. Figures vii
4. Acknowledgements xii
5. Introduction: Creativity and Innovation in a World of Movement 1
6. 1 African Lace: Agency and Transcontinental Interaction in Textile Design 33
7. 2 Heads Against Hands and Hierarchies of Creativity: Indian Luxury Embroidery Between Craft, Fashion Design and Art 61
8. 3 THE SOCIAL LIFE OF KOTTAN Baskets: Craft Production, Consumption and Circulation in Tamil Nadu, India 86
9. 4 Art and the Making of the Creative City of Chennai, India 107
10. 5 Approximation as Interpretative Appropriation: Guaraní-Inspired Ceramics in Misiones, Argentina 131
11. 6 Positioned Creativity: Museums, Politics and Indigenous Art in British Columbia and Norway 158
12. 7 ‘We Paint Our Way and the Christian Way Together’ Transforming Yolngu and Ngan’gi Art through Creative Ancestral-Christian Practice 185
13. 8 Undoing Absence through Things: Creative Appropriation and Affective Engagement in an Indian Transnational Setting 218
14. 9 ‘The Eye Likes It’ National Identity and the Aesthetics of Attraction Among Sri Lankan Tamil Catholics and Hindus 245
15. 10 Narratives, Movements, Objects: Aesthetics and Power in Catholic Devotion to Our Lady of Aparecida, Brazil 267
16. 11 The Art of Imitation: The (Re)Production and Reception of Jesus Pictures in Ghana 290
17. Afterword: Creativity in Transition 312
18. Index 319