Chapter 14. RAPE, NATION AND REMEMBERING HISTORY

Chapters in this book

1. Frontmatter i
2. CONTENTS v
3. Lorenz Clasen, Germania auf der Wacht am Rhein, 1860. Courtesy of the Krefelder Kunstmuseen viii
4. Introduction. LOOKING FOR GERMANIA 1
5. Part I. EIGHTEENTH AND NINETEENTH CENTURY
6. Chapter 1. THE BEAUTIFUL, THE UGLY, AND THE GERMAN 21
7. Chapter 2. SOPHIE LA ROCHE AS A GERMAN PATRIOT 36
8. Chapter 3. ROMANTIC NATIONALISM 51
9. Chapter 4. HOW TO THINK ABOUT GERMANY 66
10. Chapter 5. THE FATHERLAND’S KISS OF DEATH 82
11. Part II. RETHINKING HISTORY AND CANONS
12. Chapter 6. THE CHALLENGE OF “MISSING CONTENTS” FOR CANON FORMATION IN GERMAN STUDIES 101
13. Chapter 7. FEMINISM AND MOTHERHOOD IN GERMANY AND IN INTERNATIONAL PERSPECTIVE 1800-1914 113
14. Chapter 8. “TRULY WOMANLY” AND “TRULY GERMAN” 129
15. Chapter 9. THE LADIES’ AUXILIARY OF GERMAN LITERATURE 145
16. Part III. VISUAL CULTURE
17. Chapter 10. EN-GENDERING MASS CULTURE 161
18. Chapter 11. NAZISM AS FEMME FATALE 176
19. Chapter 12. VISUALIZING THE NATION 189
20. Chapter 13. FRAMING THE UNHEIMLICH 202
21. Chapter 14. RAPE, NATION AND REMEMBERING HISTORY 217
22. Part IV. GERMANY AND HER “OTHERS”
23. Chapter 15. “GERMANY IS FULL OF GERMANS NOW” 235
24. Chapter 16. BODIES FOR GERMANY, BODIES FOR SOCIALISM 248
25. Chapter 17. PATTERNS OF CONSCIOUSNESS AND CYCLES OF SELF-DESTRUCTION 263
26. Chapter 18. GERMANIA DISPLACED? 276
27. Chapter 19. GERMANIA – JUST A MALE CONSTRUCTION? 290
28. Chapter 20. THE PRICE OF FEMINISM 305
29. Part V. FATHERLAND AND MOTHER TONGUE
30. Chapter 21. LANGUAGE IS PUBLICITY FOR MEN – BUT ENOUGH IS ENOUGH! 323
31. Chapter 22. THE NEW DUDEN 327
32. CONTRIBUTORS 331