Berghahn Books
The Long Aftermath
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Edited by:
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About this book
In its totality, the “Long Second World War”—extending from the beginning of the Spanish Civil War to the end of hostilities in 1945—has exerted enormous influence over European culture. Bringing together leading historians, sociologists, and literary and film scholars, this broadly interdisciplinary volume investigates Europeans’ individual and collective memories and the ways in which they have shaped the continent’s cultural heritage. Focusing on the major combatant nations—Spain, Britain, France, Italy, Germany, Poland, and Russia—it offers thoroughly contextualized explorations of novels, memoirs, films, and a host of other cultural forms to illuminate European public memory.
Author / Editor information
Manuel Bragança is Assistant Professor in French Studies in the School of Languages, Cultures and Linguistics at University College Dublin, Ireland, where he is also a member of the Centre for War Studies and of the Humanities Institute. His research interests focus on the historiography and memories of the Second World War in France and Europe. He is an editor of the online research platform H-France and an assistant editor of the journal Open Cultural Studies.
--- Contributor: Peter TamePeter Tame is Reader in French Studies at Queen’s University Belfast. His principal research interests lie in the areas of war literature, literature and politics in twentieth-century France, and especially fictional representations of Fascism and Communism. His new book Isotopias (2015) looks at places and spaces in French war fiction of the twentieth and twenty-first centuries.
Reviews
“The chapters confirm that individual and collective memory often wields great influence when framed by culture and history. Within academic circles focusing upon this aspect of cultural history and memory, this collection of essays is highly valuable… The academics in this volume are well placed to make a significant contribution to the ambitions [of forging a cohesive European sense of history] and to help frame Europe’s sense of its long and troubled history during the latter twentieth century, and how it is perceived in this new century.” • War in History
“Manuel Braganca and Peter Tame have compiled a highly stimulating volume of essays, which whets the appetite for more.” • Journal of European Studies
“This is a useful and interesting book, consistently lucid in style and approach, that addresses a gap in the existing scholarship. Beyond the quality and interest of its individual chapters, its scope helps to make it particularly revealing and valuable.” • Marina Mackay, St. Peter’s College, University of Oxford
“This accomplished volume offers the opportunity to reflect comparatively on the different historical trajectories and cultural stories of seven European nations grappling with the long aftermath of the Second World War. Among its innovations are its combination of historiographical research with analysis of cultural representations, its challenge to a sharply delineated East-West nexus of war memory and scholarship, and its focus on popular culture.” • Claire Gorrara, Cardiff University
“One of the strengths of this well-organized collection is its range, covering East and West Europe, and Allied and Axis countries. In addition to the obvious cultural and political contrasts, this allows many intriguing parallels to emerge.” • Margaret Atack, University of Leeds
Topics
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Frontmatter
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Contents
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Illustrations
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Acknowledgements
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Foreword. Between World Wars: Remembering War in Europe before 1945
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Introduction: The Long Aftermath of the Long Second World War
1 - Part I Spain
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Chapter 1 Violence and the History and Memory of the Spanish Civil War: Beyond the Crisis of Inherited Narrative Frameworks
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Chapter 2 Poetry and Silence in Post-Civil-War Spain: Carmen Conde, Lucía Sánchez Saornil and Pilar de Valderrama
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Chapter 3 On Civil-War Memory in Spanish Women’s Narratives: The Example of Cristina Fernández Cubas’ Cosas que ya no existen
60 - Part II The United Kingdom
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Chapter 4 Narrating Britain’s War: A ‘Four Nations and More’ Approach to the People’s War
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Chapter 5 ‘Don’t Let’s Be Beastly to the Germans’ The Representation of Germans in British Second World War Films
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Chapter 6 Memory and Nation in British Narratives of the Second World War after 1945
114 - Part III France
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Chapter 7 A Capital Problem: The Town of Vichy, the Second World War and the Politics of Identity
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Chapter 8 Tracking the Past in the Places and Spaces of Patrick Modiano’s Early Fiction
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Chapter 9 Vercors and the Second World War
166 - Part IV Germany
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Chapter 10 Reconstructing D-Day Memory: How Contemporary Politics Made Germans Victims of the War
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Chapter 11 Memories of World War II in German Film after 1945
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Chapter 12 Ilse Aichinger’s Novel The Greater Hope: Poetic Narrative to Deal with Trauma
219 - Part V Italy
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Chapter 13 Victimhood Asserted: Italian Memories of the Second World War
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Chapter 14 Re-picturing the Myth: American Characters in Post-war Popular Italian Cinema
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Chapter 15 Italian Resistance Writing in the Years of the ‘Second Republic’
269 - Part VI Poland
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Chapter 16 The Second World War in Present-Day Polish Memory and Politics
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Chapter 17 Wounded Memory: Rhetorical Strategies Used in Public Discourse on the Katyń Massacre
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Chapter 18 The Second World War in Recent Polish Counterfactual and Alternative (Hi)stories
316 - Part VII USSR/Russia
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Chapter 19 History Politics and the Changing Meaning of Victory Day in Contemporary Russia
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Chapter 20 War and Patriotism: Russian War Films and the Lessons for Today
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Chapter 21 Russian Fiction at War
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Afterword: Memories of War: From the Sacred to the Secular
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Index
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