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Introduction
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Sarah Gutsche-Miller
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Chapters in this book
- Frontmatter i
- Contents v
- List of Figures vii
- Acknowledgments ix
- Introduction 1
- 1. The Venues and the Shows 7
- 2. Music Halls for Tout-Paris 31
- 3. Creative Artists: Authors, Composers, and Choreographers 55
- 4. The Ballet-Divertissement 75
- 5. Real Pantomime-Ballets: The Choreographic Conventions of 1890s Music-Hall Ballet 97
- 6. Music as Storyteller: The Musical Conventions of 1890s Music-Hall Ballet 115
- 7. As Pleasing to the Ear as to the Eye: A Popular Musical Style 133
- 8. The Stories of Music-Hall Ballet: Romance, Flirtations, and Other Pleasures 161
- 9. A Delight to Behold: Glitter, Glamour, and Girls 176
- Appendix A: Tables of Ballets Staged by the Folies-Bergère, the Olympia, and the Casino de Paris 207
- Appendix B: Synopses of Ballets Staged at the Folies-Bergère, the Olympia, and the Casino de Paris 234
- Notes 285
- Bibliography 333
- Index 347
Chapters in this book
- Frontmatter i
- Contents v
- List of Figures vii
- Acknowledgments ix
- Introduction 1
- 1. The Venues and the Shows 7
- 2. Music Halls for Tout-Paris 31
- 3. Creative Artists: Authors, Composers, and Choreographers 55
- 4. The Ballet-Divertissement 75
- 5. Real Pantomime-Ballets: The Choreographic Conventions of 1890s Music-Hall Ballet 97
- 6. Music as Storyteller: The Musical Conventions of 1890s Music-Hall Ballet 115
- 7. As Pleasing to the Ear as to the Eye: A Popular Musical Style 133
- 8. The Stories of Music-Hall Ballet: Romance, Flirtations, and Other Pleasures 161
- 9. A Delight to Behold: Glitter, Glamour, and Girls 176
- Appendix A: Tables of Ballets Staged by the Folies-Bergère, the Olympia, and the Casino de Paris 207
- Appendix B: Synopses of Ballets Staged at the Folies-Bergère, the Olympia, and the Casino de Paris 234
- Notes 285
- Bibliography 333
- Index 347