Remaking the <I>Comedia</I>: Spanish Classical Theater in Adaptation

Book

Remaking the Comedia

Spanish Classical Theater in Adaptation

Edited by: Harley Erdman and Susan Paun de García

Language: English

Published/Copyright: 2015

Published by

View more publications by Boydell and Brewer

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This book is in the series

Volume 346 | Monografías A

About this book

Leading Golden Age theatre experts examine the ways that comedias have been adapted and reinvented, offering a broad performance history of the genre for scholars and practicioners alike.

Topics

Literary Studies Romance Literature Hispanic Literature Hispanic Literature, general

Frontmatter Publicly Available Download PDF	i
Contents Publicly Available Download PDF	v
Illustrations Publicly Available Download PDF	viii
Contributors Publicly Available Download PDF	x
Preface Publicly Available Download PDF	xvii
Note to the Reader Publicly Available Download PDF	xix
Acknowledgements Publicly Available Download PDF	xx
PART I: THEORIZING
1. Terms and Concepts: The Adaptation of Classical Texts for the Stage Catherine Larson Requires Authentication Unlicensed Licensed Download PDF	1
2. “Los senderos que se bifurcan:” Adaptation, Appropriation, and the Proliferation of Possibilities Susan L. Fischer Requires Authentication Unlicensed Licensed Download PDF	13
3. Interpretative Directing Games for the Golden Age Repertory Alejandro González Puche Requires Authentication Unlicensed Licensed Download PDF	25
4. Re-Make, Re-Mix, Re-Model Laurence Boswell Requires Authentication Unlicensed Licensed Download PDF	33
PART II: SURVEYING
5. Refundición Redux: Revisiting the Rewritten Comedia Charles Victor Ganelin Requires Authentication Unlicensed Licensed Download PDF	45
6. Pepe Estruch and the Performance of Golden Age Drama: International Relationships under Franco and Democratic Theatrical Cultures Duncan Wheeler Requires Authentication Unlicensed Licensed Download PDF	55
7. Thinking Globally, Acting Locally, and Performing Nationalism: Local, National, and Global Remakes of the Comedia Robert E. Bayliss Requires Authentication Unlicensed Licensed Download PDF	65
8. Four Decades of the Chamizal Siglo de Oro Drama Festival and the Evolution of Comedia Performance Jason Yancey Requires Authentication Unlicensed Licensed Download PDF	75
9. Early Modern Dramaturgas: A Contemporary Performance History Valerie Hegstrom and Amy Williamsen Requires Authentication Unlicensed Licensed Download PDF	83
10. Adapting Lope de Vega for the English-Speaking Stage Jonathan Thacker Requires Authentication Unlicensed Licensed Download PDF	93
PART III: SPOTLIGHTING
11. The Dog in the Manger: The Continuum of Transformation David Johnston Requires Authentication Unlicensed Licensed Download PDF	105
12. El caballero de Olmedo: Los Barracos’s Baroque Gentleman Amaya Curieses Iriarte Requires Authentication Unlicensed Licensed Download PDF	117
13. Corpus Lorqui: Transformation and Transubstantiation in Los Barracos de Federico’s El caballero de Olmedo Bruce R. Burningham Requires Authentication Unlicensed Licensed Download PDF	123
14. The Phoenix of Madrid: Calderón’s No hay burlas con el amor Reborn in Bath Kathleen Jeffs Requires Authentication Unlicensed Licensed Download PDF	133
15. A Prince in Pittsburgh: “Recasting” a Contemporary Staging of The Constant Prince Rick Davis Requires Authentication Unlicensed Licensed Download PDF	143
16. Directing Marta the Divine: Provocative Choices in the Service of the Story Gina Kaufmann Requires Authentication Unlicensed Licensed Download PDF	155
17. The Dramaturgy of Absence: Minding the Gaps in Tirso de Molina, Ana Caro, and Feliciana Enríquez Harley Erdman Requires Authentication Unlicensed Licensed Download PDF	167
18. Translations and Transgressions: Twenty-First-Century Questions Regarding Zayas Karen Berman Requires Authentication Unlicensed Licensed Download PDF	177
19. Comedia Actresses, Then and Now: The Case of Ana Caro’s Valor, agravio y mujer Barbara Mujica Requires Authentication Unlicensed Licensed Download PDF	189
20. “Kinesthetic Empathy” and the Comedia refundición Laura L. Vidler Requires Authentication Unlicensed Licensed Download PDF	197
PART IV: SHIFTING
21. Porous Boundaries: novela or comedia? Susan Paun de García Requires Authentication Unlicensed Licensed Download PDF	211
22. Lope de Vega and Lenfilm: The Dog in the Manger’s Cross-Cultural Journey Veronika Ryjik Requires Authentication Unlicensed Licensed Download PDF	219
23. Classical Theater and Puppetry: La Máquina Real Sergio Adillo Rufo Requires Authentication Unlicensed Licensed Download PDF	229
24. Remaking Moreto’s El desdén con el desdén: From Author’s Text to Director’s Text Francisco García Vicente Requires Authentication Unlicensed Licensed Download PDF	237
25. Lope’s Peribáñez on the Lyric Stage Donald R. Larson Requires Authentication Unlicensed Licensed Download PDF	245
26. A Musical Marta Felipe B. Pedraza Jiménez Requires Authentication Unlicensed Licensed Download PDF	255
Play Titles Cited Requires Authentication Unlicensed Licensed Download PDF	265
Works Cited Requires Authentication Unlicensed Licensed Download PDF	269
Index Requires Authentication Unlicensed Licensed Download PDF	287

Publishing information

Pages and Images/Illustrations in book

eBook published on:

April 16, 2015

eBook ISBN:

9781782044987

Original publisher:

Tamesis Books

Pages and Images/Illustrations in book

Main content:

323

Other:

16 b/w illus.

https://doi.org/10.1515/9781782044987

eBook ISBN: 9781782044987

Keywords for this book

Spanish Golden Age theatre; Comedias; Adaptation; Re-envisioned; Reinvented; Performance history; Dramatic genres; Films; Musicals; Puppetry; Opera; Theater practitioners; Adaptation theory; Harley Erdman; Susan Paun de García

Audience(s) for this book

Professional and scholarly;

Remaking the Comedia

Overview

About this book

Topics

Table of contents

Bibliographic data