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Chapter 5 Luigi Nono, Intolleranza 1960
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Mark Berry
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Chapters in this book
- Frontmatter i
- Contents v
- Music examples vi
- Acknowledgements vii
- Introduction ‘After Wagner’ 1
- Part I In the Shadow of German Idealism: From Parsifal to Capriccio 21
- Prelude 21
- Chapter 1 Wagner ‘After Wagner’: Parsifal 26
- Chapter 2 Arnold Schoenberg’s ‘Biblical Way’: Towards Moses und Aron 64
- Chapter 3 Richard Strauss: Paths to (and from) Capriccio 99
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Part II Composition after the Second World War: From Germany to Italy, and Back Again?
- Prelude 123
- Chapter 4 Luigi Dallapiccola, Il prigioniero: Imprisonment, Liberty, and the Word 127
- Chapter 5 Luigi Nono, Intolleranza 1960 149
- Chapter 6 Hans Werner Henze: Paths to (and from) Natascha Ungeheuer 172
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Part III Performance and the Fruitful Instability of the Work: From Parsifal to Nono
- Prelude 205
- Chapter 7 Stefan Herheim’s Parsifal 210
- Chapter 8 Staging Lohengrin, or Not 234
- Chapter 9 From Wagner to Nono 251
- Bibliography 275
- Index 297
Chapters in this book
- Frontmatter i
- Contents v
- Music examples vi
- Acknowledgements vii
- Introduction ‘After Wagner’ 1
- Part I In the Shadow of German Idealism: From Parsifal to Capriccio 21
- Prelude 21
- Chapter 1 Wagner ‘After Wagner’: Parsifal 26
- Chapter 2 Arnold Schoenberg’s ‘Biblical Way’: Towards Moses und Aron 64
- Chapter 3 Richard Strauss: Paths to (and from) Capriccio 99
-
Part II Composition after the Second World War: From Germany to Italy, and Back Again?
- Prelude 123
- Chapter 4 Luigi Dallapiccola, Il prigioniero: Imprisonment, Liberty, and the Word 127
- Chapter 5 Luigi Nono, Intolleranza 1960 149
- Chapter 6 Hans Werner Henze: Paths to (and from) Natascha Ungeheuer 172
-
Part III Performance and the Fruitful Instability of the Work: From Parsifal to Nono
- Prelude 205
- Chapter 7 Stefan Herheim’s Parsifal 210
- Chapter 8 Staging Lohengrin, or Not 234
- Chapter 9 From Wagner to Nono 251
- Bibliography 275
- Index 297