Kapitel in diesem Buch

1. Frontmatter i
2. Contents v
3. List of Illustrations vii
4. Preface: In Appreciation xvi
5. List of contributors xvii
6. Introduction 1
7. Incitements to Interpret in Late Antique and Medieval Architecture
8. Believing is Seeing: The Natural Image in Late Antiquity 16
9. Articulation as an Expression of Function in Romanesque Architecture 42
10. Barrel-Vaulted Churches in Late Medieval Scotland 60
11. Augustinian and Other Canons’ Churches in Romanesque Europe: The Significance of the Aisleless Cruciform Plan 78
12. Towers and Radiating Chapels in Romanesque Architectural Iconography 99
13. Diffusion, Imitation and Evolution: The Uncertain Origins of ‘Beakhead’ Ornament 111
14. Architecture and Pattern: The Western Façade of Lincoln Cathedral and Modernist Reference Points for its Interpretation 128
15. Authors and Intentions
16. Home Sweet Mammoth: Neuroarchaeology and the Origins of Architecture 146
17. Constantine and Helena: The Roman in English Romanesque 163
18. For Their Monuments, Look about You: Medieval Masons and their Tombs 176
19. Baxandall’s Bridge and Charles IV’s Prague: An Exercise in Architectural Intention 192
20. Imitation as a Creative Vehicle in Michelangelo’s Art and Architecture 221
21. The ‘Façade Problem’ in Roman Churches, c. 1540–1640 242
22. Architecture beyond Building
23. Innovation and Traditionalism in Writings on English Romanesque 266
24. Why Medieval Ireland Failed to Edify 284
25. The Chapel of the Hospital of Saint-Jean at Angers: Acta, Statutes, Architecture and Interpretation 306
26. Sealed Architecture: City Seals, Architecture and Urban Identity in the Northern Netherlands, 1200–1700 315
27. Style and Geography: Struggles for Identification in the Later Nineteenth Century 333
28. The Dome of the Rock: From Medieval Symbol to Modern Propaganda 343
29. Towards a Cultural Geography of Modern Memorials 357
30. Bicycle Sheds Revisited, Or: Why are Houses Interesting? 381
31. Index 399