Kapitel in diesem Buch

1. Frontmatter 1
2. Contents 5
3. List of Illustrations 7
4. Foreword 9
5. Acknowledgments 10
6. Note on Transliteration and Translations 12
7. Cinemasaurus: Introduction 13
8. Part One. Borders of Imperial Desire
9. Framing Essay
10. Introduction 27
11. 1. Imperial Fatigue: Somnambulants, Ghosts, and Monsters 32
12. 2. Empire Reloaded: Sacred Power in a Postmodern Era 48
13. 3. Russia’s Quiet Other: Dmitrii Mamuliia’s Another Sky and Aleksandr Kott’s The Test 65
14. Part Two. Hilarity and Horror
15. Framing Essay
16. Introduction 81
17. 4. Laughing Apocalypse: Horror and/as Comedy 84
18. 5. Eccentricity, Theatricality, and the Grotesque 105
19. 6. Privatized Violence in the New Russian Cinema 117
20. Part Three. Evropsk or Russia?
21. Framing Essay
22. Introduction 135
23. 7. Fragments of Empire: The Heartland in Post-Soviet Film 137
24. 8. Russia on the Margins? 156
25. 9. Contending Alterities: Drag Show, Roma Camp . . . 180
26. Part Four. The Ideological Occult
27. Framing Essay
28. Introduction 198
29. 10. Past, Present, and Posthumous Fathers: Cinepaternity Reloaded 201
30. 11. New Auteurism: The Case of Mikhalkov and Bekmambetov 221
31. 12. Elki: The Most Profitable Franchise of the Putin Era 238
32. Part Five. Interviews
33. 13. The Mediascape: Alexander Rodnyansky (CEO, AR Films, Non-Stop Production) 262
34. 14. The Festival: Sitora Alieva (Program Director, Kinotavr) 264
35. 15. The Exhibition Space: Paul Heth (CEO, Rising Star Media; Karo Film Holding) 266
36. 16. The Film Journal: Birgit Beumers (KinoKultura, UK) 268
37. 17. The Film Symposium: Vladimir Padunov (Russian Film Symposium, US) 276
38. Kino-Grafik 281
39. Notes on the Contributors 288
40. Works Cited 296
41. Index 318