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Freedom From Violence and Lies
Essays on Russian Poetry and Music by Simon Karlinsky
-
Edited by:
Robert P. Hughes
, Richard Taruskin and Thomas A. Koster -
Funded by:
National Endowment for the Humanities and The Andrew W. Mellon Foundation Humanities Open Book Program
Language:
English
Published/Copyright:
2013
About this book
Freedom from Violence and Lies is a collection of forty-one essays by Simon Karlinsky (1924–2009), a prolific and controversial scholar of modern Russian literature, sexual politics, and music who taught in the University of California, Berkeley’s Department of Slavic Languages and Literatures from 1964 to 1991. Among Karlinsky’s full-length works are major studies of Marina Tsvetaeva and Nikolai Gogol, Russian Drama from Its Beginnings to the Age of Pushkin; editions of Anton Chekhov’s letters; writings by Russian émigrés; and correspondence between Vladimir Nabokov and Edmund Wilson. Karlinsky also wrote frequently for professional journals and mainstream publications like the New York Times Book Review and the Nation. The present volume is the first collection of such shorter writings, spanning more than three decades. It includes twenty-seven essays on literary topics and fourteen on music, seven of which have been newly translated from the Russian originals.
Author / Editor information
Robert P. Hughes is professor emeritus of Slavic Languages and Literatures at the University of California, Berkeley. He is the editor of the collected works of Vladislav Khodasevich and the author of numerous articles on modern Russian literature. Richard Taruskin is the Class of 1955 Professor of Music at the University of California, Berkeley, and the author of Stravinsky and the Russian Traditions (1996), Defining Russia Musically (1997), and the Oxford History of Western Music (2005). Thomas A. Koster is the assistant vice chancellor for capital programs and planning at the University of California, Berkeley.
Reviews
Polina Dimova (Oberlin College):
“A loving tribute to Karlinsky by his colleagues at UC Berkeley who served as editors and translators, this wide-ranging volume offers a miscellany of his book reviews and articles on poetry and music never collected before. . . . Karlinsky’s reviews engage with major scholarly works on Russian poetry and music and present a unique document in the history of Russian studies in America and the Soviet Union during the Cold War. Hughes, Koster, and Taruskin edit unobtrusively and expertly, updating Karlinsky’s critical apparatus in footnotes and commentaries so as not to render the reviews obsolete, and provide invaluable information and further quotations by Karlinsky to illuminate his intellectual legacy and the controversies surrounding his uncompromisingly incisive writing. . . . Karlinsky’s provocative thought, lucid writing, strong opinions, and biting wit make the volume a pleasure to read. In its vivid introductions to poets, Freedom from Violence and Lies will appeal to general readers interested in all things Russian, as well as to all students and scholars of Russian poetry, music, and culture.”
“A loving tribute to Karlinsky by his colleagues at UC Berkeley who served as editors and translators, this wide-ranging volume offers a miscellany of his book reviews and articles on poetry and music never collected before. . . . Karlinsky’s reviews engage with major scholarly works on Russian poetry and music and present a unique document in the history of Russian studies in America and the Soviet Union during the Cold War. Hughes, Koster, and Taruskin edit unobtrusively and expertly, updating Karlinsky’s critical apparatus in footnotes and commentaries so as not to render the reviews obsolete, and provide invaluable information and further quotations by Karlinsky to illuminate his intellectual legacy and the controversies surrounding his uncompromisingly incisive writing. . . . Karlinsky’s provocative thought, lucid writing, strong opinions, and biting wit make the volume a pleasure to read. In its vivid introductions to poets, Freedom from Violence and Lies will appeal to general readers interested in all things Russian, as well as to all students and scholars of Russian poetry, music, and culture.”
Philip Ross Bullock (Wadham College, University of Oxford):
“All of the essays have been lovingly and intelligently edited by Robert P. Hughes, Thomas A. Koster and Richard Taruskin. Not only do their commentaries situate Karlinsky’s work in the context of both his life and the field at the time. . . they also attest to the impact that Karlinsky had on them as a human being, a teacher and a scholar. . . Reading these incisive and invigorating essays, one encounters an individual unforgiving of crassness, stupidity and carelessness, yet appreciative of the creative potential of those who live their humanity fully and authentically."
Topics
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Frontmatter
1 -
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Contents
5 -
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Preface
7 - I. PUSHKIN AND ROMANTICISM
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1. Two Pushkin Studies
14 -
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2. Fortunes of an Infanticide
43 -
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3. Pushkin Re-Englished
49 -
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4. A Mystical Musicologist
56 -
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5. Küchelbecker’s Trilogy, Izhorsky, As an Example of the Romantic Revival of the Medieval Mystery Play
62 -
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6. Misanthropy and Sadism in Lermontov’s Plays
77 - II. MODERNISM, ITS PAST, ITS LEGACY
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7. Annensky’s Materiality
86 -
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8. Zinaida Gippius and Russian Poetry
97 -
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9. Died and Survived
105 -
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10. Symphonic Structure in Andrei Bely’s Pervoe svidanie
114 -
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11. The Death and Resurrection of Mikhail Kuzmin
125 -
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12. Nikolai Gumilyov and Théophile Gautier
133 -
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13. An Emerging Reputation Comparable to Pushkin’s
145 -
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14. Tsvetaeva in English: A Review Article
154 -
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15. A New Edition of the Poems of Marina Tsvetaeva
167 -
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16. New Information about the Émigré Period of Marina Tsvetaeva (Based on Material from Her Correspondence with Anna Tesková)
174 -
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17. Pasternak, Pushkin, and the Ocean in Marina Tsvetaeva’s From the Sea
182 -
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18. “Traveling to Geneva…”: On a Less-than-Successful Trip by Marina Tsvetaeva
194 -
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19. Isadora Had a Taste for “Russian Love”
205 -
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20. Surrealism in Twentieth-Century Russian Poetry: Churilin, Zabolotsky, Poplavsky
212 -
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21. Evtushenko and the Underground Poets
229 - III. POETRY ABROAD
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22. In Search of Poplavsky: A Collage
242 -
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23. Morshen, or a Canoe to Eternity
267 -
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24. Morshen after Ekho i zerkalo
291 -
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25. A Hidden Masterpiece: Valery Pereleshin’s Ariel
301 -
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26. Russian Culture in Manchuria and the Memoirs of Valery Pereleshin
310 - IV. ON CHAIKOVSKY
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27. A Review of Tchaikovsky: A Self-Portrait by Alexandra Orlova
322 -
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28. Should We Retire Chaikovsky?
330 -
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29. Man or Myth? The Retrieval of the True Chaikovsky
339 -
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30. Chaikovsky and the Pantomime of Derision
346 - V. ON STRAVINSKY
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31. The Composer’s Workshop
358 -
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32. The Repatriation of Igor Stravinsky
369 -
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33. Igor Stravinsky and Russian Preliterate Theater
376 - VI. ON SHOSTAKOVICH
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34. “Our Destinies Are Bad”
398 -
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35. Taking Notes for Testimony
408 - VII. SONG AND DANCE
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36. The Uses of Chaliapin
416 -
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37. Russian Comic Opera in the Age of Catherine the Great
423 -
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38. Contralto: Rossini, Gautier and Gumilyov
440 -
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39. A Cultural Educator of Genius
457 -
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40. Opera and Drama in Ravel
475 -
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Index of Names
486
Publishing information
Pages and Images/Illustrations in book
eBook published on:
December 17, 2017
eBook ISBN:
9781618116765
Pages and Images/Illustrations in book
Main content:
502
This book is in the series
eBook ISBN:
9781618116765
Audience(s) for this book
Professional and scholarly;General/trade;
Creative Commons
BY-NC 4.0