Bibliography

Chapters in this book

1. Frontmatter i
2. Contents vii
3. A Note on Transliteration viii
4. Acknowledgements ix
5. Introduction 1
6. Chapter One: Chuvash Poetics: Forming an Aesthetic 27
7. Chapter Two: The Moscow Neo-Avant-Garde 55
8. Chapter Three: Three Poems Called “Silence”: The Human-Word as Divine Mystery 93
9. Chapter Four: Poem as Reliquary: Violence, Elegy, Witness 129
10. Chapter Five: After the Fall: Poetry of the 1990s and 2000s 154
11. Final Thoughts: A Conversation with Fanny Howe on Poetry Crossing Borders 176
12. Bibliography 182
13. Index 195