Academic Studies Press
The Russian Twentieth Century Short Story
-
Edited by:
About this book
Author / Editor information
Lyudmila Parts is Professor of Russian at McGill University (Montreal). She is the author of In Search of the True Russia. The Provinces in Contemporary Nationalist Discourse (2018); The Chekhovian Intertext: Dialogue with a Classic (2008); and the editor of The Russian 20th Century Short Story: A Critical Companion (2009). She has published articles on Karamzin, Dostoevsky, Chekhov, contemporary authors, symbolic geography, and Russian travelogue.Lyudmila Parts (Ph.D. Columbia University) is an associate professor at the Department of Russian and Slavic Studies at McGill University. Her book The Chekhovian Intertext: Dialogue with a Classic (2008) explores the intersection of intertextuality, cultural memory, and cultural myth. She has published articles on Dostoevsky, Chekhov, Tolstaya, Petrushevskaya, P'etsukh, and Pelevin.
Reviews
“The strongest essays are those on Isaak Babel’ (by the late Robert Maguire), Varlam Shalamov (Leona Toker), and Vasilii Shukshin (Diane Nemec Ignashev). . . . [T]his volume is a welcome reminder of the varied scholarship inspired by the literature of the last century. Recommended.”
Rachel Stauffer, Ferrum College:
“…The content of this collection is timely and appropriate ten years intot he twenty-first century as a point of entry for evaluation and reflection on exclusively twentieth-century literary phenomena in Russia. The articles within would complement the texts typically included in a graduate-level or advanced undergraduate-level course in twentieth century literature and culture. Similarly, for the scholar of twentieth-century literature, this is a nice collection for personal reference.”
Annotation ©2010 Book News Inc. Portland, OR:
"Parts (Russian, McGill University) brings together an international group of scholars for an analysis of the Russian short story in the twentieth century. She considers first if there is something particular about the character Russian short story but leaves the reader to decide. The essays discuss writers well known in the West, such as Chekhov, Nabokov and Pasternak along with those not yet recognized outside Russia: Andrei Platonov, Yury Olesha, Isaak Babel, Abram Tertz, Vasili Shukshin, Varlan Shamalov, Tatiana Tolstaia, Lyudmila Petrushevskaia, Victor Erofeev, Andrei Bitov and Viktor Pelevin. One chapter is a translation of a story by Petrushevskaia. Some of the essays place the stories within Communist or pre-revolutionary society. Others are seen as a reflection of universal emotions. The themes of memory, childhood and loss appear often in the stories chosen for commentary. The authors speculate on whether there is a difference in the way these are treated by the Russian writers. This is an interesting study of both Russian writers and the form of the short story itself."
Topics
-
Download PDFPublicly Available
Frontmatter
i -
Download PDFPublicly Available
Table of Contents
iii -
Download PDFPublicly Available
Contributors
v -
Download PDFPublicly Available
Acknowledgments
xi -
Download PDFPublicly Available
Introduction: The Short Story as the Genre of Cultural Transition
xiii -
Download PDFRequires Authentication UnlicensedLicensed
I. “The Darling”: Femininity Scorned and Desired
1 -
Download PDFRequires Authentication UnlicensedLicensed
II. Bunin’s “Gentle Breath”
13 -
Download PDFRequires Authentication UnlicensedLicensed
III. Ekphrasis in Isaak Babel
31 -
Download PDFRequires Authentication UnlicensedLicensed
IV. Zoshchenko’s “Electrician,” or the Complex Theatrical Mechanism
47 -
Download PDFRequires Authentication UnlicensedLicensed
V. Yury Olesha’s Three Ages of Man: a Close Reading of “Liompa.”
71 -
Download PDFRequires Authentication UnlicensedLicensed
VI. Nabokov’s Art of Memory: Recollected Emotion in “Spring in Fialta” (1936-1947)
97 -
Download PDFRequires Authentication UnlicensedLicensed
VII. Child Perspective: Tradition and Experiment. An Analysis of “The Childhood of Luvers” by Boris Pasternak
117 -
Download PDFRequires Authentication UnlicensedLicensed
VIII. Andrei Platonov and the Inadmissibility of Desire
143 -
Download PDFRequires Authentication UnlicensedLicensed
IX. “This Could Have Been Foreseen”: Kharms’s The Old Woman (Starukha) Revisited. A Collective Analysis
161 -
Download PDFRequires Authentication UnlicensedLicensed
X. Testimony as Art: Varlam Shalamov’s “Condensed Milk.”
185 -
Download PDFRequires Authentication UnlicensedLicensed
XI. The Writer as Criminal: Abram Tertz’s “Pkhents.”
201 -
Download PDFRequires Authentication UnlicensedLicensed
XII. Vasilii Shukshin’s “Cut Down to Size” (Srezal) and the Question of Transition
217 -
Download PDFRequires Authentication UnlicensedLicensed
XIII. Carnivalization of the Short Story Genre and the Künstlernovelle: Tatiana Tolstaia’s “The Poet and the Muse.”
239 -
Download PDFRequires Authentication UnlicensedLicensed
XIV. Down the Intertextual Lane: Petrushevskaia, Chekhov, Tolstoy
261 -
Download PDFRequires Authentication UnlicensedLicensed
XV. The Lady with the Dogs
279 -
Download PDFRequires Authentication UnlicensedLicensed
XVI. Russian Postmodernist Fiction and Mythologies of History: Viacheslav Pietsukh’s “The Central-Ermolaevo War” and Viktor Erofeev’s “Parakeet.”
283 -
Download PDFRequires Authentication UnlicensedLicensed
XVII. Psychosis and Photography: Andrei Bitov’s “Pushkin’s Photograph.”
307 -
Download PDFRequires Authentication UnlicensedLicensed
XVIII. The “Traditional Postmodernism” of Viktor Pelevin’s Short Story “Nika”
327 -
Download PDFRequires Authentication UnlicensedLicensed
WORKS CITED
343