19. Greek Sculptors in Rome: An Art for the Romans
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Eugenio La Rocca
Abstract
In the second century B.C. the victorious generals of the Roman Republic invited sculptors from Greece to create cult statues for the temples they dedicated in Rome; these were often acrolithic and made in a traditional, classicizing style. In addition, Greek sculptors active in Rome, Delos and Athens in the first century B.C. produced copies of works of the great masters and new creations in an eclectic style for the decoration of the villas of the Roman elite.
Abstract
In the second century B.C. the victorious generals of the Roman Republic invited sculptors from Greece to create cult statues for the temples they dedicated in Rome; these were often acrolithic and made in a traditional, classicizing style. In addition, Greek sculptors active in Rome, Delos and Athens in the first century B.C. produced copies of works of the great masters and new creations in an eclectic style for the decoration of the villas of the Roman elite.
Chapters in this book
- Frontmatter I
- Preface V
- Contents VII
- 1. Introduction 1
-
Part I: Literary and Epigraphical Testimonia
- 2. Greek Sculpture in the Roman Empire: The Literary Sources 7
- 3. Sculptors’ Signatures 22
- 4. Patronage, Compensation, and the Social Status of Sculptors 50
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Part II: Function
- 5. Architectural Sculpture 91
- 6. Funerary Sculpture: Women on Attic Grave Reliefs 123
-
Part III: Portraiture
- 7. Honorific Portraiture 163
- 8. The Portraits of the Ptolemies 194
- 9. The Portraits of Herodes Atticus and His Circle 225
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Part IV: Styles
- 10. The Archaic Style in Greek Sculpture 261
- 11. The Invention of the Classical Style in Sculpture 296
- 12. The Gold and Ivory Cult Statues of Pheidias in Athens and Olympia 328
- 13. The Great Masters of the Fourth Century 360
- 14. The Hellenistic Styles in Greek Sculpture 395
-
Part V: Regional Sculptures
- 15. Prolegomena to the Study of Sculpture in Sicily in the Archaic and Classical Periods 429
- 16. The Sculpture of Melos 473
- 17. The Sculpture of Macedonia 503
- 18. The Sculpture of Messene 536
-
Part VI: Greek Sculpture under the Romans
- 19. Greek Sculptors in Rome: An Art for the Romans 579
- 20. Copies of Greek Statuary from Greece in the Roman Imperial Period 620
-
Part VII: Techniques
- 21. Piecing, Attachments, Repairs 657
- 22. Polychromy in Greek Sculpture 690
-
Part VIII: Afterlife
- 23. The Legacy of Greek Sculpture 727
- Contributors 768
- Index of Museums 770
- Index of Artists 787
Chapters in this book
- Frontmatter I
- Preface V
- Contents VII
- 1. Introduction 1
-
Part I: Literary and Epigraphical Testimonia
- 2. Greek Sculpture in the Roman Empire: The Literary Sources 7
- 3. Sculptors’ Signatures 22
- 4. Patronage, Compensation, and the Social Status of Sculptors 50
-
Part II: Function
- 5. Architectural Sculpture 91
- 6. Funerary Sculpture: Women on Attic Grave Reliefs 123
-
Part III: Portraiture
- 7. Honorific Portraiture 163
- 8. The Portraits of the Ptolemies 194
- 9. The Portraits of Herodes Atticus and His Circle 225
-
Part IV: Styles
- 10. The Archaic Style in Greek Sculpture 261
- 11. The Invention of the Classical Style in Sculpture 296
- 12. The Gold and Ivory Cult Statues of Pheidias in Athens and Olympia 328
- 13. The Great Masters of the Fourth Century 360
- 14. The Hellenistic Styles in Greek Sculpture 395
-
Part V: Regional Sculptures
- 15. Prolegomena to the Study of Sculpture in Sicily in the Archaic and Classical Periods 429
- 16. The Sculpture of Melos 473
- 17. The Sculpture of Macedonia 503
- 18. The Sculpture of Messene 536
-
Part VI: Greek Sculpture under the Romans
- 19. Greek Sculptors in Rome: An Art for the Romans 579
- 20. Copies of Greek Statuary from Greece in the Roman Imperial Period 620
-
Part VII: Techniques
- 21. Piecing, Attachments, Repairs 657
- 22. Polychromy in Greek Sculpture 690
-
Part VIII: Afterlife
- 23. The Legacy of Greek Sculpture 727
- Contributors 768
- Index of Museums 770
- Index of Artists 787