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        4 Genre in Gaetano Donizetti’s Don Pasquale (1843)
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        Francesco Izzo
        
                                    
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                                            Chapters in this book
- Frontmatter i
- Contents vii
- List of Figures ix
- Acknowledgments xi
- Introduction: Comedy in an Age of Tragedy 1
- 1 Opera Buffa in 1832: Il nuovo Figaro and L’elisir d’amore 21
- 2 The Ricci Supremacy and the Celebration of Italian Comedy: Un’avventura di Scaramuccia (1834) 57
- 3 Old Librettos Revisited: Gaetano Rossi and Luigi Ricci’s Le nozze di Figaro (1838) and Other Remakes 89
- 4 Genre in Gaetano Donizetti’s Don Pasquale (1843) 139
- 5 Genre in Giovanni Peruzzini and Lauro Rossi’s Il borgomastro di Schiedam (1844) 165
- 6 “Evviva la Francia”? Nationality, Censorship, and Donizetti’s La figlia del reggimento (1840) 199
- Conclusion: The Ricci Legacy, Crispino e la comare (1850), and Post- 1848 Opera Buffa 231
- Notes 241
- Selected Bibliography 283
- Index 297
Chapters in this book
- Frontmatter i
- Contents vii
- List of Figures ix
- Acknowledgments xi
- Introduction: Comedy in an Age of Tragedy 1
- 1 Opera Buffa in 1832: Il nuovo Figaro and L’elisir d’amore 21
- 2 The Ricci Supremacy and the Celebration of Italian Comedy: Un’avventura di Scaramuccia (1834) 57
- 3 Old Librettos Revisited: Gaetano Rossi and Luigi Ricci’s Le nozze di Figaro (1838) and Other Remakes 89
- 4 Genre in Gaetano Donizetti’s Don Pasquale (1843) 139
- 5 Genre in Giovanni Peruzzini and Lauro Rossi’s Il borgomastro di Schiedam (1844) 165
- 6 “Evviva la Francia”? Nationality, Censorship, and Donizetti’s La figlia del reggimento (1840) 199
- Conclusion: The Ricci Legacy, Crispino e la comare (1850), and Post- 1848 Opera Buffa 231
- Notes 241
- Selected Bibliography 283
- Index 297