Kapitel in diesem Buch

1. Frontmatter i
2. Contents vii
3. Acknowledgments ix
4. Introduction 1
5. Part One. Orientations and Influences
6. Chapter One. Ravel’s Poetics: Literary Currents, Classical Takes 9
7. Chapter Two. Re-presenting Ravel: Artificiality and the Aesthetic of Imposture 41
8. Chapter Three. Adorno’s Ravel 63
9. Part Two. Analytical Case Studies
10. Chapter Four. Ravel’s Approach to Formal Process: Comparisons and Contexts 85
11. Chapter Five. Repetition as Musical Motion in Ravel’s Piano Writing 111
12. Chapter Six. Playing with Models: Sonata Form in Ravel’s String Quartet and Piano Trio 143
13. Chapter Seven. Spiral and Self-Destruction in Ravel’s La valse 180
14. Chapter Eight. Diatonic Expansion and Chromatic Compression in Maurice Ravel’s Sonate pour violon et violoncelle 211
15. Part Three. Interdisciplinary Perspectives
16. Chapter Nine. Deception, Reality, and Changes of Perspective in Two Songs from Histoires naturelles 245
17. Chapter Ten. Not Just a Pretty Surface: Ornament and Metric Complexity in Ravel’s Piano Music 272
18. Chapter Eleven. The Child on the Couch; or, Toward a (Psycho)Analysis of Ravel’s L’enfant et les sortilèges 306
19. Contributors 331
20. Index 335