11. After the Shooting Stopped: Justice and Journalism at Nuremberg

Chapters in this book

1. Frontmatter i
2. Contents v
3. Foreword vii
4. Introduction 1
5. 1. Learning and Adapting: The American Media and the “Phony War,” September 1939–April 1940 15
6. 2. Helen Kirkpatrick’s Reporting to Undercut Irish Neutrality Policy, 1939–1942 34
7. 3. Miss Bonney Reporting from the Arctic Front 55
8. 4. Reporting from the Bureaus: The Lesser-Known World War II Correspondents 85
9. 5. Two African American Journalists Confront World War II: Perspectives on Nationalism, Racism, and Identity 107
10. 6. Bylines and Bayonets: How United States Marine Corps Combat Correspondents in World War II Blended Journalism and Public Relations 132
11. 7. Reporting Reconnaissance to the Public: A Comparative Analysis of Canadian and American Strategies 159
12. 8. Outstanding and Conspicuous Service: Iris Carpenter, Lee Carson, and Ann Stringer in the European Theater 172
13. 9. A “Butcher and Bolt” Force: Commandos, Rangers, and Newspaper Dramatics in World War II 193
14. 10. “A Major Readjustment”: Omar Bradley’s War against the Stars and Stripes 213
15. 11. After the Shooting Stopped: Justice and Journalism at Nuremberg 234
16. Acknowledgments 259
17. Contributors 261
18. Index 265