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7 What Lies beneath Grandma’s Tattoos? Traumatic Memories of Inked Skin
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Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Note on Translation and Transliteration ix
- A Photograph as Prologue 1
- Introduction 5
-
PART I Bodies
- 1 Zabel’s Pen: Gender, Body Snatching, and the Armenian Genocide 27
- REMNANT 1: “The Dance,” Siamanto 45
- 2 Weaponizing Shame: Dis-memberment of the Armenian Collective Body 47
- REMNANT 2: “Armenian Girls inside Arab Homes” 60
- 3 Rescuing “Kittens” in the Desert: The Armenian Humanitarian Relief Effort 62
- REMNANT 3: Letter from a Captured Armenian Woman, Keghanush Kuyumdjian 81
- 4 Recovering Survivors in Aleppo, Replanting Bodies in Syria’s Armenian Colonies 82
- REMNANT 4: “The Orphan Collection” (Vorpahavak), Armenian National Relief Organization in Constantinople 104
- 5 “Changelings” and “Halflings”: Finding the Armenian Buried inside the Islamized Child 105
- REMNANT 5: Aurora on Stage: Survival as Sideshow Act 124
- 6 Aurora’s Body, Humanitarianism, and the Pornography of Suffering 126
-
PART II Skin
- 7 What Lies beneath Grandma’s Tattoos? Traumatic Memories of Inked Skin 149
- REMNANT 6: Statement of Miss Eliza Shahinian 163
- 8 Wounded Whiteness: Branded Captives 165 from the Old West to the Ottoman East 165
- REMNANT 7: “The Removal of Tattoos and Carbonic Acid” 183
- 9 Removing the “Brand of Shame,” Rehabilitating Armenian Skin 184
- REMNANT 8: “Tattooed Like an Arab,” Serpouhi Tavoukdjian 199
- 10 Counternarratives of Tribal Tattoos and Survivor Agency 200
-
PART III Bones
- REMNANT 9: A Lamentation: “In the Deserts of Dayr al-Zur” (Der Zor çöllerinde) 223
- 11 If These Bones Could Speak: Early Armenian Pilgrimages to Dayr al-Zur 225
- 12 Feeling Their Way through the Desert: Affective Itineraries of “Non-Sites of Memory” 240
- 13 Bone Memory: Community, Ritual, and Memory Work in the Syrian Desert 256
- EPILOGUE Bone on Bone 279
- Acknowledgments 287
- Notes 293
- Bibliography 357
- Index 371
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Note on Translation and Transliteration ix
- A Photograph as Prologue 1
- Introduction 5
-
PART I Bodies
- 1 Zabel’s Pen: Gender, Body Snatching, and the Armenian Genocide 27
- REMNANT 1: “The Dance,” Siamanto 45
- 2 Weaponizing Shame: Dis-memberment of the Armenian Collective Body 47
- REMNANT 2: “Armenian Girls inside Arab Homes” 60
- 3 Rescuing “Kittens” in the Desert: The Armenian Humanitarian Relief Effort 62
- REMNANT 3: Letter from a Captured Armenian Woman, Keghanush Kuyumdjian 81
- 4 Recovering Survivors in Aleppo, Replanting Bodies in Syria’s Armenian Colonies 82
- REMNANT 4: “The Orphan Collection” (Vorpahavak), Armenian National Relief Organization in Constantinople 104
- 5 “Changelings” and “Halflings”: Finding the Armenian Buried inside the Islamized Child 105
- REMNANT 5: Aurora on Stage: Survival as Sideshow Act 124
- 6 Aurora’s Body, Humanitarianism, and the Pornography of Suffering 126
-
PART II Skin
- 7 What Lies beneath Grandma’s Tattoos? Traumatic Memories of Inked Skin 149
- REMNANT 6: Statement of Miss Eliza Shahinian 163
- 8 Wounded Whiteness: Branded Captives 165 from the Old West to the Ottoman East 165
- REMNANT 7: “The Removal of Tattoos and Carbonic Acid” 183
- 9 Removing the “Brand of Shame,” Rehabilitating Armenian Skin 184
- REMNANT 8: “Tattooed Like an Arab,” Serpouhi Tavoukdjian 199
- 10 Counternarratives of Tribal Tattoos and Survivor Agency 200
-
PART III Bones
- REMNANT 9: A Lamentation: “In the Deserts of Dayr al-Zur” (Der Zor çöllerinde) 223
- 11 If These Bones Could Speak: Early Armenian Pilgrimages to Dayr al-Zur 225
- 12 Feeling Their Way through the Desert: Affective Itineraries of “Non-Sites of Memory” 240
- 13 Bone Memory: Community, Ritual, and Memory Work in the Syrian Desert 256
- EPILOGUE Bone on Bone 279
- Acknowledgments 287
- Notes 293
- Bibliography 357
- Index 371