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4. On a Seeming Right to Semblance: Schiller, Hebel, and Kleist
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Kapitel in diesem Buch
- Frontmatter i
- Contents ix
- Note on Translations and Abbreviations xi
- Introduction: "From an Awkward Perspective" 1
- 1. Antonomasia: The Fate of the Name in Leibniz 13
- 2. Language on a Holy Day: The Temporality of Communication in Mendelssohn 80
- 3. "The Scale of Enthusiasm": Kant, Schelling, and Holderlin 98
- 4. On a Seeming Right to Semblance: Schiller, Hebel, and Kleist 129
- 5. Anecdote and Authority: Toward Kleist's Last Language 152
- 6. The Paradisal Epoche: On Benjamin's First Philosophy 174
- 7. Tragedy and Prophecy in Benjamin's: Origin of the German Mourning Play 227
- 8. "Subtracted from the Order of Number": Toward a Politics of Pure Means in Benjamin and Irigaray 249
- Notes 271
- Bibliography 345
- Sources 370
- Index 371
- Crossing Aesthetics 381
Kapitel in diesem Buch
- Frontmatter i
- Contents ix
- Note on Translations and Abbreviations xi
- Introduction: "From an Awkward Perspective" 1
- 1. Antonomasia: The Fate of the Name in Leibniz 13
- 2. Language on a Holy Day: The Temporality of Communication in Mendelssohn 80
- 3. "The Scale of Enthusiasm": Kant, Schelling, and Holderlin 98
- 4. On a Seeming Right to Semblance: Schiller, Hebel, and Kleist 129
- 5. Anecdote and Authority: Toward Kleist's Last Language 152
- 6. The Paradisal Epoche: On Benjamin's First Philosophy 174
- 7. Tragedy and Prophecy in Benjamin's: Origin of the German Mourning Play 227
- 8. "Subtracted from the Order of Number": Toward a Politics of Pure Means in Benjamin and Irigaray 249
- Notes 271
- Bibliography 345
- Sources 370
- Index 371
- Crossing Aesthetics 381