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1. On the Origin of Film and the Resurrection of the People: D. W. Griffith’s Intolerance

© 2020 Stanford University Press, Redwood City

© 2020 Stanford University Press, Redwood City

Kapitel in diesem Buch

  1. Frontmatter i
  2. Contents vii
  3. Illustrations ix
  4. The Unframing Image 1
  5. Part 1: The Off-Screen: Shakespeare, Bruegel, Tarkovsky 15
  6. Part 2: The Origin of Film
  7. 1. On the Origin of Film and the Resurrection of the People: D. W. Griffith’s Intolerance 61
  8. 2. The Actor of the Crowd-The Great Dictator: Chaplin, Riefenstahl, Lang 78
  9. Part 3: On Film Genre
  10. 3. Howard Hawks’s Idea of Genre 173
  11. 4. What Is a Cinema of Jewish Vengeance? Tarantino’s Inglourious Basterds 200
  12. Notes 211
  13. Index 253
The Off-Screen
Ein Kapitel aus dem Buch The Off-Screen
https://doi.org/10.1515/9781503601611-004

Kapitel in diesem Buch

  1. Frontmatter i
  2. Contents vii
  3. Illustrations ix
  4. The Unframing Image 1
  5. Part 1: The Off-Screen: Shakespeare, Bruegel, Tarkovsky 15
  6. Part 2: The Origin of Film
  7. 1. On the Origin of Film and the Resurrection of the People: D. W. Griffith’s Intolerance 61
  8. 2. The Actor of the Crowd-The Great Dictator: Chaplin, Riefenstahl, Lang 78
  9. Part 3: On Film Genre
  10. 3. Howard Hawks’s Idea of Genre 173
  11. 4. What Is a Cinema of Jewish Vengeance? Tarantino’s Inglourious Basterds 200
  12. Notes 211
  13. Index 253
Heruntergeladen am 7.5.2026 von https://www.degruyterbrill.com/document/doi/10.1515/9781503601611-004/html?lang=de
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