Ovid's Tragic Heroines expands our understanding of Ovid's incorporation of Greek generic codes and the tragic heroines, Phaedra and Medea, while offering a new perspective on the Roman poet's persistent interest in these two characters and their paradigms. Ovid presents these two Attic tragic heroines as symbols of different passions that are defined by the specific combination of their gender and generic provenance. Their failure to be understood and their subsequent punishment are constructed as the result of their female "nature," and are generically marked as "tragic." Ovid's masculine poetic voice, by contrast, is given free rein to oscillate and play with poetic possibilities.

Jessica A. Westerhold focuses on select passages from the poems Ars Amatoria, Heroides, and Metamorphoses. Building on existing scholarship, she analyzes the dynamic nature of generic categories and codes in Ovid's poetry, especially the interplay of elegy and epic. Further, her analysis of Ovid's reception applies the idea of the abject to elucidate Ovid's process of constructing gender and genre in his poetry.

Ovid's Tragic Heroines incorporates established theories of the performativity of sex, gender, and kinship roles to understand the continued maintenance of the normative and abject subject positions Ovid's poetry creates. The resulting analysis reveals how Ovid's Phaedras and Medeas offer alternatives both to traditional gender roles and to material appropriate to a poem's genre, ultimately using the tragic code to introduce a new perspective to epic and elegy.

Jessica A. Westerhold is Assistant Professor of Classics at the University of Tennessee, Knoxville. She has published articles on Ovid's engagement with tragedy, gender, and the Latin poet Sulpicia.

In her thought-provoking book, Jessica Westerhold cexplores how the 'tragic' figures of Phaedra and Medea, along with their reception(s) in Ovidian poetry, exemplify forms of (gender) abjection that places them beyond social norms. This monograph is a very welcome addition to the study of generic code-switching and gender dynamics within Ovidian poetry.

Westerhold's approach leads straight to analysis of the dynamic nature of generic categories and codes in Ovid's poetry. Thus do elegy and epic interact. The performativity of sex, gender, and kinship roles reveals the importance of the normative and abject this powerful poetry elaborates.

Vassiliki Panoussi, College of William and Mary, author of Brides, Mourners, Bacchae:

Thought-provoking and well-researched, Ovid's Tragic Heroines presents an exciting new reading of Ovid's poems. Paying particular attention to female subjectivity, Westerhold offers many original and valuable interpretations and articulates a compelling argument for the importance of reading Ovid through the intersecting lens of gender and genre.

Teresa Ramsby, University of Massachusetts Amherst, author of Textual Permanence:

Building significantly on prior scholarship regarding Ovid's use of tragedy, Jessica A. Westerhold here compellingly argues that Ovid's most memorable female protagonists (Phaedra, Medea, Procne) take full opportunity of their tragic material and, as they trespass the boundaries of genre, they trespass the female roles that their societies have allotted them.