Medieval Institute Publications
Space, Image, and Reform in Early Modern Art
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About this book
The essays in Space, Image, and Reform in Early Modern Art build on Marcia Hall’s seminal contributions in several categories crucial for Renaissance studies, especially the spatiality of the church interior, the altarpiece’s facture and affectivity, the notion of artistic style, and the controversy over images in the era of Counter Reform. Accruing the advantage of critical engagement with a single paradigm, this volume better assesses its applicability and range. The book works cumulatively to provide blocks of theoretical and empirical research on issues spanning the function and role of images in their contexts over two centuries. Relating Hall’s investigations of Renaissance art to new fields, Space, Image, and Reform expands the ideas at the center of her work further back in time, further afield, and deeper into familiar topics, thus achieving a cohesion not usually seen in edited volumes honoring a single scholar.
Author / Editor information
Topics
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Frontmatter
I -
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Foreword
V -
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Space, Image, and Reform in Early Modern Art
VII -
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Contents
IX -
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List of Illustrations
XIII -
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Introduction
1 - Part 1: Historiography and Methods
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Chapter 1 Raphael’s Bankers: Agostino Chigi, Bindo Altoviti, and Jakob Fugger
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Chapter 2 Surpassing Nature: Raphael’s Artistic Apotheosis
33 -
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Chapter 3 In the Sistine Chapel with Marcia and Leo
79 -
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Chapter 4 What Becomes a Legend: Correggio at the Crossroads of Biography and Style
101 - Part 2: Space
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Chapter 5 The Rediscovered Iconography of Palazzo Milesi’s Façade by Polidoro da Caravaggio, Plutarch’s Parallel Lives, and a New Drawing
125 -
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Chapter 6 San Giacomo degli Spagnoli in Rome on the Forefront of Reform: Remodeling the East End in the 1550s and 1560s
145 -
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Chapter 7 Religious Reform, Sacred Space, and Bad Behavior in Late Sixteenth-Century Orsanmichele
161 - Part 3: Image
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Chapter 8 Matter and Meaning in Piero della Francesca’s Legend of the True Cross
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Chapter 9 The Netherlandish Relief-like Style in the Age of Art
211 -
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Chapter 10 Mannerism’s Masks
237 - Part 4: Reform
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Chapter 11 Order and the Anagogic Approach of the Mind to God: On the Philosophers in Raphael’s Disputa
271 -
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Chapter 12 Painting the Invisible God at Sinai
295 -
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Chapter 13 A Question of Faith: “Making Strange” in Caravaggio’s Calling of Saint Matthew
311 - Part 5: Back Matter
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A Bibliography of Marcia Hall’s Works
343 -
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Notes on Contributors
345 -
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Index
349
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