Book
Licensed
Unlicensed
Requires Authentication
Selected Writings, Volume 1
Toward a New African Art Discourse
-
Okwui Enwezor
-
Edited by:
Terry Smith
Language:
English
Published/Copyright:
2025
About this book
Selected Writings is a landmark two-volume set of writings by the transformational art curator Okwui Enwezor that demonstrates his tireless efforts to decolonize the global contemporary art world.
Author / Editor information
Okwui Enwezor (1963–2019) was an internationally recognized and pathbreaking art curator, former director of Haus der Kunst, founder of Nka: Journal of Contemporary African Art, and coauthor of numerous books and exhibition catalogs.
Terry Smith is Andrew W. Mellon Emeritus Professor of Contemporary Art History and Theory at the University of Pittsburgh and Professor at Large, The Africa Institute, Global Studies University, Sharjah.
Terry Smith is Andrew W. Mellon Emeritus Professor of Contemporary Art History and Theory at the University of Pittsburgh and Professor at Large, The Africa Institute, Global Studies University, Sharjah.
Reviews
“This selection of Okwui Enwezor’s writings offers an intimate look into the beliefs that fueled his practice: those of plurality, fluidity, and openness. It is through these writings that we are able to stay the course of Enwezor’s incomparable vision and insist, as he did, on an expansive understanding of the world and all those who inhabit it.”
-- Thelma Golden, Director and Chief Curator, Studio Museum in Harlem
-- Thelma Golden, Director and Chief Curator, Studio Museum in Harlem
“In 1997, Okwui Enwezor reflected on the difference between the Johannesburg Biennale, the first major international exhibition of his career, and Documenta, pointedly remarking that we have ‘other priorities.’ This comment not only came to characterize that foray into the world of global curation but became the through line for all of his endeavors. As this volume attests, the stakes of Enwezor’s exhibitions were elucidated in their context and through his writing, which is inextricable from and yet also independent of them. He had a distinct historical, political, worldly, theoretical, and poetic rigor and love for the jostling of ideas, stories, and positions that would set the various fields in which he engaged in new directions through his singular momentum. These assembled texts reflect a lifetime committed to developing his voice, changing the worlds of art, and creating a new language with the intellectual heft, complexity, and dynamism to make a case for his presence and those he championed.”
-- Adrienne Edwards, Engell Speyer Family Senior Curator and Associate Director of Curatorial Programs, Whitney Museum of American Art
-- Adrienne Edwards, Engell Speyer Family Senior Curator and Associate Director of Curatorial Programs, Whitney Museum of American Art
Topics
|
Publicly Available Download PDF |
i |
|
Publicly Available Download PDF |
v |
|
Publicly Available Download PDF |
ix |
|
Publicly Available Download PDF |
xv |
|
Publicly Available Download PDF |
xix |
|
Publicly Available Download PDF |
xxiii |
|
Okwui Enwezor’s Diasporic Imagination Terry Smith Requires Authentication Unlicensed Licensed |
1 |
|
Toward a New African Art Discourse Requires Authentication Unlicensed Licensed |
15 |
|
Desolation, Rapture, and Georges Adéagbo Requires Authentication Unlicensed Licensed |
30 |
|
Whose Body? Black Male: Representations of Masculinity in Contemporary American Art Requires Authentication Unlicensed Licensed |
38 |
|
Requires Authentication Unlicensed Licensed |
45 |
|
History, Culture, and Representation in the Works of African Photographers Requires Authentication Unlicensed Licensed |
50 |
|
Living, Working, and Traveling in a Restless World Requires Authentication Unlicensed Licensed |
99 |
|
Revisions, Reassessments, Diaspora Requires Authentication Unlicensed Licensed |
117 |
|
A Few Notes on “African” Conceptualism Requires Authentication Unlicensed Licensed |
130 |
|
Postmodernism and African Artists in the Western Metropolis Requires Authentication Unlicensed Licensed |
149 |
|
Independence and Liberation Movements in Africa, 1945–1994 Requires Authentication Unlicensed Licensed |
180 |
|
Requires Authentication Unlicensed Licensed |
202 |
|
Contemporary Art in a State of Permanent Transition Requires Authentication Unlicensed Licensed |
236 |
|
Requires Authentication Unlicensed Licensed |
269 |
|
Lorna Simpson’s Iconography of the Racial Sublime Requires Authentication Unlicensed Licensed |
299 |
|
New Positions in Contemporary African Photography Requires Authentication Unlicensed Licensed |
339 |
|
Published Writings of Okwui Enwezor Requires Authentication Unlicensed Licensed |
403 |
|
Requires Authentication Unlicensed Licensed |
425 |
Publishing information
Pages and Images/Illustrations in book
eBook published on:
July 8, 2025
eBook ISBN:
9781478060536
Pages and Images/Illustrations in book
Main content:
456
eBook ISBN:
9781478060536
Audience(s) for this book
General/trade;