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Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- List of Illustrations ix
- Acknowledgments xiii
- Biennial Conversions at the Borders of Liberalism: An Introduction 1
-
Part 1 Anticolonial Collaboration in the Bienal de La Habana’s Early Iterations: Havana, 1984–1991
- 1 Polyphonic Internationalism 29
- 2 Curating the Third World 53
- 3 An Aesthetics of Production 72
-
Part 2 Cosmopolitan Dreams at the US-Mexico Borderlands in inSITE94 and INSITE97: San Diego and Tijuana, 1994–1997
- 4 Sovereignty Claims over the Borderlands 99
- 5 Fears of Provincialism and the Desire to Be Global 123
- 6 Globalizing Mexican Art 146
-
Part 3 Art for a Unified Europe: Manifesta 1, Rotterdam, 1996
- 7 Manifesta: Placenta Europa 173
- 8 Curating Conflict 193
- 9 The Art of Belonging 217
- Epilogue 241
- Notes 253
- Bibliography 285
- Index 301
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- List of Illustrations ix
- Acknowledgments xiii
- Biennial Conversions at the Borders of Liberalism: An Introduction 1
-
Part 1 Anticolonial Collaboration in the Bienal de La Habana’s Early Iterations: Havana, 1984–1991
- 1 Polyphonic Internationalism 29
- 2 Curating the Third World 53
- 3 An Aesthetics of Production 72
-
Part 2 Cosmopolitan Dreams at the US-Mexico Borderlands in inSITE94 and INSITE97: San Diego and Tijuana, 1994–1997
- 4 Sovereignty Claims over the Borderlands 99
- 5 Fears of Provincialism and the Desire to Be Global 123
- 6 Globalizing Mexican Art 146
-
Part 3 Art for a Unified Europe: Manifesta 1, Rotterdam, 1996
- 7 Manifesta: Placenta Europa 173
- 8 Curating Conflict 193
- 9 The Art of Belonging 217
- Epilogue 241
- Notes 253
- Bibliography 285
- Index 301