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Six. Neoliberal Aesthetics: The Legacies of White Modernism
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Eunsong Kim
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Chapters in this book
- Frontmatter i
- Contents vii
- Prelude. On Motivations ix
- Acknowledgments xiii
- Introduction 1
- One. Personal Collection and the Museum Form: Racial Capitalism, Settler Colonialism, and the Legacies of the Homestead Strike of 1892 33
- Two. Scientific Management and Conceptual Art: The Invention of the Artist Manager 62
- Three. Whiteness as Property and Found Object Art: Collecting and Canonizing Marcel Duchamp 92
- Four. Whiteness and the New: Neoliberalism and the Building of the Archive for New Poetry 118
- Five. Colonially Bound, Digitally Free: On the Distance between Object and Image 146
- Six. Neoliberal Aesthetics: The Legacies of White Modernism 178
- Coda. On Inoperation and Glory 208
- Notes 215
- Bibliography 273
- Index 295
Chapters in this book
- Frontmatter i
- Contents vii
- Prelude. On Motivations ix
- Acknowledgments xiii
- Introduction 1
- One. Personal Collection and the Museum Form: Racial Capitalism, Settler Colonialism, and the Legacies of the Homestead Strike of 1892 33
- Two. Scientific Management and Conceptual Art: The Invention of the Artist Manager 62
- Three. Whiteness as Property and Found Object Art: Collecting and Canonizing Marcel Duchamp 92
- Four. Whiteness and the New: Neoliberalism and the Building of the Archive for New Poetry 118
- Five. Colonially Bound, Digitally Free: On the Distance between Object and Image 146
- Six. Neoliberal Aesthetics: The Legacies of White Modernism 178
- Coda. On Inoperation and Glory 208
- Notes 215
- Bibliography 273
- Index 295