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Nienke Boer
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Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: Enslaved, Indentured, Interned 1
- 1. REPRESENTING SPEECH IN BONDAGE IN THE COURT RECORDS OF THE DUTCH CABO DE GOEDE HOOP, 1652–1795 17
- 2. SILENCING THE ENSLAVED The Aesthetics of Abolitionism in the British Cape Colony, 1795–1834 48
- 3. “ GRIEVANCES MORE SENTIMENTAL THAN MATERIAL ” Representing Indentured Labor in Natal, 1860–1915 82
- 4. A SENTIMENTAL EDUCATION IN BOER WAR IMPRISONMENT CAMPS IN SOUTH ASIA, 1899–1902 109
- 5.SENTIMENT AND THE LAW IN EARLY SOUTH AFRICAN INDIAN WRITING, 1893–1960 132
- CODA No Human Footprints 154
- Notes 161
- Bibliography 187
- Index 205
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: Enslaved, Indentured, Interned 1
- 1. REPRESENTING SPEECH IN BONDAGE IN THE COURT RECORDS OF THE DUTCH CABO DE GOEDE HOOP, 1652–1795 17
- 2. SILENCING THE ENSLAVED The Aesthetics of Abolitionism in the British Cape Colony, 1795–1834 48
- 3. “ GRIEVANCES MORE SENTIMENTAL THAN MATERIAL ” Representing Indentured Labor in Natal, 1860–1915 82
- 4. A SENTIMENTAL EDUCATION IN BOER WAR IMPRISONMENT CAMPS IN SOUTH ASIA, 1899–1902 109
- 5.SENTIMENT AND THE LAW IN EARLY SOUTH AFRICAN INDIAN WRITING, 1893–1960 132
- CODA No Human Footprints 154
- Notes 161
- Bibliography 187
- Index 205