Acknowledgments

Chapters in this book

1. Frontmatter i
2. Contents vii
3. Author’s Note viii
4. Acknowledgments ix
5. Introduction: A City of Listeners 1
6. 1 For a Theory of Genres of Listening 25
7. 2 The Music in the Words 48
8. 3 “What You Really Mean Is . . . ” Listening to “That Which Is Not Said” 80
9. 4 The Psychoanalytic Field in Buenos Aires 106
10. 5 The Mass Mediation of Psychoanalytic Listening 137
11. Conclusion: Final Resonances 174
12. Notes 185
13. References 203
14. Index 223