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Chapter 16 Queer Gothic Literature and Culture

  • Laura Westengard
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Twentieth-Century Gothic
This chapter is in the book Twentieth-Century Gothic
© 2022, Edinburgh University Press, Edinburgh

© 2022, Edinburgh University Press, Edinburgh

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Acknowledgements vii
  4. Introduction: Going to Extremes – The Gothic in the Twentieth Century 1
  5. Part I Gothic Evolutions
  6. Chapter 1 The Edwardian Supernatural 13
  7. Chapter 2 Weird Fiction in the Twentieth Century 33
  8. Chapter 3 Gothic Modernisms 49
  9. Chapter 4 Gothic Criticism in the Twentieth Century: Who is This Who is Coming? 64
  10. Part II The Gothic and Technology/Transmedia Considerations
  11. Chapter 5 The Birth of an Evil Thought: The Gothic in Silent-Era Cinema 81
  12. Chapter 6 Grand-Guignol as Twentieth-Century Gothic Drama 99
  13. Chapter 7 Mid-Century Gothic Cinema (1931–79): From Monster Business to Exploitation Horror 114
  14. Chapter 8 The Unheimlich State: Surveillance and the Digital Nation 129
  15. Chapter 9 Gothic Horror Films at the ‘Fin-de-Millennium’: From Nightmare Videos to Filtered Realities (1980–2000) 144
  16. Part III Key Themes and Topics in Twentieth-Century Gothic
  17. Chapter 10 Twentieth-Century War Gothic 163
  18. Chapter 11 Russian Twentieth-Century Gothic: The Irrepressible Undead 180
  19. Chapter 12 The Gothic 1950s 196
  20. Chapter 13 Masks of Sanity: Psychopathy and the Twentieth-Century Gothic 213
  21. Chapter 14 Troubling Legacies: African American Women’s Gothic from Zora Neale Hurston to Tananarive Due 228
  22. Chapter 15 Medical Humanities and the Twentieth-Century Gothic 243
  23. Chapter 16 Queer Gothic Literature and Culture 259
  24. Chapter 17 ‘Nightmares of the Normative’: African American Gothic and the Rejection of the American Ideal 273
  25. Chapter 18 Big Bad Wolves and Angry Sharks: The Ecogothic and a Century of Environmental Change 290
  26. Notes on Contributors 305
  27. Index 310
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