7 Adaptation and the Use of Documentary Material in No

Chapters in this book

1. Frontmatter i
2. Contents v
3. List of Figures vii
4. Notes on Contributors ix
5. Acknowledgments xii
6. An Introduction. Pablo Larraín: Doomed to Repeat It 1
7. 1 A Cracked Gaze: Pablo Larraín’s Cultural Context 15
8. 2 The Synecdochic Series of Pablo Larraín: The Castro Cycle of Chilean Complicity in Fuga, Tony Manero, Post Mortem, No, El Club, and Neruda 38
9. 3 “Within the Limits of the Possible”: Realist Aesthetics in Pablo Larraín’s Dictatorship Trilogy 69
10. 4 When Violence Meets Experimentalism: Unraveling Cinematic Suture in Raúl Ruiz’s Tres Tristes Tigres and Pablo Larraín’s Post Mortem 89
11. 5 Gothic Memory and Ghostly Aesthetics: Post Mortem as a Horror Film 113
12. 6 Aestheticization of Politics and the War Machine in No by Pablo Larraín 131
13. 7 Adaptation and the Use of Documentary Material in No 147
14. 8 The Blurred Image: The Aesthetics of Impunity in Pablo Larraín’s No and El Club 161
15. 9 Reimagining the Left in Neruda: Inclusivity and Encounters with Secondary Characters 177
16. 10 Surfaces in Jackie: Representing Crisis and the Crisis of Representation 196
17. 11 “When on Stage, I Am Not There, I Am Not That One” An Interview with Alfredo Castro by Arturo Márquez-Gómez 213
18. Index 225