Bibliography

Chapters in this book

1. Frontmatter i
2. Contents v
3. List of figures vi
4. Acknowledgments vii
5. A note on the timeline ix
6. Timeline x
7. Introduction 1
8. 1 The left-wing film apparatus in postwar Hong Kong 20
9. 2 Left in the right way: corporate strategy and the making of a popular left-wing 38
10. 3 Remaking Cantonese film culture: Union and Sun Luen 59
11. 4 Class, gender, and modern womanhood: Feng Huang and Great Wall 77
12. 5 Corporate repositioning, transnational cultural brokerage, and soft power: Sil-Metropole 96
13. 6 Critical transitions on the non-left: Patrick Lung and Cecile Tang 115
14. 7 From political alibis to creative incubators: the left -wing film network since the 1980s 132
15. Epilogue 150
16. Bibliography 157
17. Filmography 165
18. Index 169