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7 Panpan Girls, Lesbians and Post-war Women’s Communities: Girls of Dark (1961) as Women’s Cinema
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Yuka Kanno
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Chapters in this book
- Frontmatter i
- Contents v
- Figures vii
- Notes on the Contributors viii
- Acknowledgements xi
- Preface: Light and Shadows in the Life of Tanaka Kinuyo xii
- Introduction: Onna Monogatari 1
- 1 Dancer, Doctor, Maiden, Mother: Tanaka Kinuyo’s Early Star Image 36
- 2 Meetings and Partings: How Tanaka’s Films End 57
- 3 Tanaka and Mizoguchi: Politics and Rebellion in the Early Post-war Era 82
- 4 The First Female Gaze at Post-war Japanese Women: Tanaka Kinuyo, Film Director 104
- 5 Kinuyo and Sumie: When Women Write and Direct 126
- 6 Female Authorship, Subjectivity and Colonial Memory in Tanaka Kinuyo’s The Wandering Princess (1960) 155
- 7 Panpan Girls, Lesbians and Post-war Women’s Communities: Girls of Dark (1961) as Women’s Cinema 187
- Index 204
Chapters in this book
- Frontmatter i
- Contents v
- Figures vii
- Notes on the Contributors viii
- Acknowledgements xi
- Preface: Light and Shadows in the Life of Tanaka Kinuyo xii
- Introduction: Onna Monogatari 1
- 1 Dancer, Doctor, Maiden, Mother: Tanaka Kinuyo’s Early Star Image 36
- 2 Meetings and Partings: How Tanaka’s Films End 57
- 3 Tanaka and Mizoguchi: Politics and Rebellion in the Early Post-war Era 82
- 4 The First Female Gaze at Post-war Japanese Women: Tanaka Kinuyo, Film Director 104
- 5 Kinuyo and Sumie: When Women Write and Direct 126
- 6 Female Authorship, Subjectivity and Colonial Memory in Tanaka Kinuyo’s The Wandering Princess (1960) 155
- 7 Panpan Girls, Lesbians and Post-war Women’s Communities: Girls of Dark (1961) as Women’s Cinema 187
- Index 204