Chapter
Licensed
Unlicensed
Requires Authentication
3 “Ô popoï, popoï, popoï”
Breathless Sobs, Displacement, and Parisian Cartography in Sarah Kofman’s Rue Ordener Rue Labat
-
Gary D. Mole
You are currently not able to access this content.
You are currently not able to access this content.
Chapters in this book
- Front Matter i
- Contents v
- Illustrations ix
- Acknowledgments xiii
- Introduction 1
-
Topography
- A Psychogeography of Dora Bruder 31
- “Ô popoï, popoï, popoï” 45
- Perec, Raczymow, and Their Sites of Memory 59
-
Familiar Strangers
- Comme Dieu en France? 73
- Sarah Kofman 87
-
Ambivalences
- A City of My Own 103
- Patrick Modiano’s Dora Bruder 113
- “Paris of Days Gone By” 123
-
Absence
- Past Imperfect 141
- Paris Obscur 161
- Algerian Echoes in Modiano’s and Perec’s Cityscapes of Holocaust Memory 175
-
Past Imperfect
- Perec’s Ghost City 191
- Street Walking Paris 203
- The Afterlife of Irène Némirovsky’s Suite française 221
- Contributors 243
- Index 247
Chapters in this book
- Front Matter i
- Contents v
- Illustrations ix
- Acknowledgments xiii
- Introduction 1
-
Topography
- A Psychogeography of Dora Bruder 31
- “Ô popoï, popoï, popoï” 45
- Perec, Raczymow, and Their Sites of Memory 59
-
Familiar Strangers
- Comme Dieu en France? 73
- Sarah Kofman 87
-
Ambivalences
- A City of My Own 103
- Patrick Modiano’s Dora Bruder 113
- “Paris of Days Gone By” 123
-
Absence
- Past Imperfect 141
- Paris Obscur 161
- Algerian Echoes in Modiano’s and Perec’s Cityscapes of Holocaust Memory 175
-
Past Imperfect
- Perec’s Ghost City 191
- Street Walking Paris 203
- The Afterlife of Irène Némirovsky’s Suite française 221
- Contributors 243
- Index 247
