Heirs to Dionysus
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John Burt Foster
and John Burt Foster
About this book
Building on recent transformative theories of influence, John Foster explores the many ways Nietzsche's intellectual and artistic example helped shape an interconnected series of major literary projects from 1900 to the 1940s. He portrays Nietzsche as a stimulating but disturbing force who left a well-defined legacy of concerns that modernists appropriated for their fiction. The author focuses particularly on Gide, D. H. Lawrence, Malraux, and Mann, analyzing their strategies of acceptance, revision, and subversion.
Originally published in 1982.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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Frontmatter
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Contents
vii -
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Acknowledgments
ix -
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Note on Translation, Annotation, and Abbreviation
xi -
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Introduction
1 -
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I. Influence as Transformation, Nietzsche as Influence
16 -
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II. Nietzsche's Legacy to the Modernists
39 -
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III. From Nietzsche to the Savage God: An Early
145 -
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IV. Holding Forth against Nietzsche: D. H. Lawrence's Novels from Women in Love to The Plumed Serpent
180 -
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V. Preceded by Nietzsche's Madness: Andre Malraux as a Novelist in Man's Fate and The Walnut Trees of the Altenburg
256 -
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VI. Enter the Devil: Nietzsche's Presence in Doctor Faustus
338 -
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Conclusion
403 -
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Chronology of Works, Writers, and Events
423 -
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Notes
427 -
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Index
455