Princeton University Press
Studies in Music History
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About this book
A wide variety of essays by colleagues and former students reflect Professor Strunk's particular role as music historian, teacher, and a pre-eminent musicologist. Donald Grout provides the introduction and outlines the problems confronting musicology today. Other essays are devoted to early Christian music, Renaissance music, early Italian opera; Arthur Mendel writes on ambiguities of the munsural system, Edward Lowinsky on Willaert’s "Chromatic Duo," Joseph Kerman on Verdi, and Elliot Forbes on Beethoven.
Originally published in 1958.
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Frontmatter
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Foreword
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Contents
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Scholar and Teacher
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Four Canons
18 - I. MUSIC HISTORY
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Current Historiography and Music History
23 - II. WORDS AND MUSIC IN CHRISTIAN LITURGY
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Three Byzantine Acclamations on the Structure of the Alleluia
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On the Structure of the Alleluia Melisma: A Western Tendency in Western Chant
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The Tropi Ad Sequentiam
73 - III. SOURCES, PROBLEMS: ARS NOVA AND RENAISSANCE
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Some Dates for Bartolino da Padova
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Church Polyphony Apropos of a New Fragment at Foligno
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The Motets of Lionel Power
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Some Ambiguities of the Mensural System
137 -
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A Sample Problem of Musica Fietax Willaert’s Pater noster
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Echoes of Adrian Willaert’s Chromatic “Duo” in Sixteenth- and Seventeenth- Century Compositions
183 - IV. ITALIAN OPERA
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“Vi sono molt’altre mezz’Arie . . .”
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L’Erismena Travestita
259 -
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Plus ça change
325 -
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Agostino Stefiani’s Hannover Operas and a Rediscovered Catalogue
341 -
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The Travels of Partenope
356 - V. STUDIES OF THE GREAT COMPOSERS
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Handel’s Giulio Cesare in Egitto
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Musical Sketches in J. S. Bach’s Cantata Autographs
405 -
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Haydn’s Creation Revisited: An Introductory Essay
429 -
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Some Musical Jokes in Mozart’s Le Nozze di Figaro
443 -
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“Stürzet nieder, Millionen”
449 -
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Wagner’s Musical Sketches for Siegfrieds Tod
459 -
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Verdi’s Use of Recurring Themes
495 -
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Bibliography of the Writings of Oliver Strunk
511 -
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Index
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