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APPENDIX. ON CERTAIN TECHNICAL CONCEPTS USED IN THIS STUDY
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Francis Fergusson
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Chapters in this book
- Frontmatter i
- CONTENTS vii
- ACKNOWLEDGMENTS x
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PART 1. THE IDEA OF A THEATER
- INTRODUCTION. THE IDEA OF A THEATER 1
- CHAPTER I. OEDIPUS REX: THE TRAGIC RHYTHM OF ACTION 13
- CHAPTER II. BERENICE: THE ACTION AND THEATER OF REASON 42
- CHAPTER III. TRISTAN UND ISOLDE: THE ACTION AND THEATER OF PASSION 68
- CHAPTER IV. HAMLET, PRINCE OF DENMARK: THE ANALOGY OF ACTION 98
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PART II. THE PARTIAL PERSPECTIVES OF THE MODERN THEATER
- INTRODUCTION. THE PARTIAL PERSPECTIVES OF THE MODERN THEATER 143
- CHAPTER V. GHOSTS AND THE CHERRY ORCHARD: THE THEATER OF MODERN REALISM 146
- CHAPTER VI. THE THEATRICALITY OF SHAW AND PIRANDELLO 178
- CHAPTER VII. POETRY OF THE THEATER AND THE POET IN THE THEATER 194
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P A R T III. CERTAIN TECHNICAL CONCEPTS USED IN THIS STUDY
- APPENDIX. ON CERTAIN TECHNICAL CONCEPTS USED IN THIS STUDY 229
- Backmatter 245
Chapters in this book
- Frontmatter i
- CONTENTS vii
- ACKNOWLEDGMENTS x
-
PART 1. THE IDEA OF A THEATER
- INTRODUCTION. THE IDEA OF A THEATER 1
- CHAPTER I. OEDIPUS REX: THE TRAGIC RHYTHM OF ACTION 13
- CHAPTER II. BERENICE: THE ACTION AND THEATER OF REASON 42
- CHAPTER III. TRISTAN UND ISOLDE: THE ACTION AND THEATER OF PASSION 68
- CHAPTER IV. HAMLET, PRINCE OF DENMARK: THE ANALOGY OF ACTION 98
-
PART II. THE PARTIAL PERSPECTIVES OF THE MODERN THEATER
- INTRODUCTION. THE PARTIAL PERSPECTIVES OF THE MODERN THEATER 143
- CHAPTER V. GHOSTS AND THE CHERRY ORCHARD: THE THEATER OF MODERN REALISM 146
- CHAPTER VI. THE THEATRICALITY OF SHAW AND PIRANDELLO 178
- CHAPTER VII. POETRY OF THE THEATER AND THE POET IN THE THEATER 194
-
P A R T III. CERTAIN TECHNICAL CONCEPTS USED IN THIS STUDY
- APPENDIX. ON CERTAIN TECHNICAL CONCEPTS USED IN THIS STUDY 229
- Backmatter 245