Frontmatter

Chapters in this book

1. Frontmatter i
2. Contents vii
3. PREFACE ix
4. EDITOR'S PREFACE xiii
5. BIBLIOGRAPHICAL ABBREVIATIONS xv
6. MUSIC IN SIXTEENTH-CENTURY SOCIETY
7. CHAPTER ONE. A Sixteenth-Century Attempt at Music Criticism 1
8. CHAPTER TWO. The Courtier as Musician: Castiglione's View of the Science and Art of Music 20
9. CHAPTER THREE. Cosimo Bartoli on Music 38
10. ASPECTS OF RENAISSANCE MUSIC THEORY
11. CHAPTER FOUR. The Frontispiece of Gafori's Practica Musieae (1496) 77
12. CHAPTER FIVE. False Relations and Chromaticism in Sixteenth-Century Music 93
13. CHAPTER SIX. Zarlino's Definition of Fugue and Imitation 121
14. CHAPTER SEVEN. Lessons in Theory from a Sixteenth-Century Composer 149
15. CHAPTER EIGHT. Josquin as Interpreted by a Mid-Sixteenth-Century German Musician 176
16. ON THE ITALIAN MADRIGAL
17. CHAPTER NINE. The "Note Nere" Madrigal 199
18. CHAPTER TEN. The "Madrigale Arioso": A Mid-Century Development in the Cinquecento Madrigal 222
19. CHAPTER ELEVEN. Giovanthomaso Cimello as Madrigalist 239
20. ANTONFRANCESCO DONI : WRITER ,ACADEMICIAN , AND MUSICIAN
21. CHAPTER TWELVE. Notes on the Dialogo della Musica of Antonfrancesco Doni 269
22. CHAPTER THIRTEEN. A Gift of Madrigals to Cosimo I: The Ms. Florence, Bibl. Naz. Centrale, Magi. XIX, 130 300
23. CHAPTER FOURTEEN. The Libraria of Antonfrancesco Doni 323
24. RENAISSANCE MUSIC IN NINETEENTH - CENTURY EYES
25. CHAPTER FIFTEEN. Berlioz and the "First Opera" 351
26. CHAPTER SIXTEEN. Music of the Renaissance as Viewed by the Romantics 366
27. INDEX OF NAMES 383