Shamanism and the Eighteenth Century
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Gloria Flaherty
and Gloria Flaherty
About this book
Pursuing special experiences that take them to the brink of permanent madness or death, men and women in every age have "returned" to heal and comfort their fellow human beings--and these shamans have fascinated students of society from Herodotus to Mircea Eliade. Gloria Flaherty's book is about the first Western encounters with shamanic peoples and practices. Flaherty makes us see the eighteenth century as an age in which explorers were fascinating all Europe with tales of shamans who accomplished a "self-induced cure for a self-induced fit." Reports from what must have seemed a forbidden world of strange rites and moral licentiousness came from botanists, geographers, missionaries, and other travelers of the period, and these accounts created such a stir that they permeated caf talk, journal articles, and learned debates, giving rise to plays, encyclopedia articles, art, and operas about shamanism. The first part of the book describes in rich detail how information about shamanism entered the intellectual mainstream of the eighteenth century. In the second part Flaherty analyzes the artistic and critical implications of that process. In so doing, she offers remarkable chapters on Diderot, Herder, Goethe, and the cult of the genius of Mozart, as well as a chapter devoted to a new reading of Goethe's Faust that views Faust as the modern shaman.
Originally published in 1992.
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Topics
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Frontmatter
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Contents
vii -
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List of Illustrations
x -
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Preface
xiii -
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Introduction
3 - PART ONE. FROM FABLES TO FACTS: THE EUROPEAN RECEPTION OF SHAMANISM
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Chapter One. The Paradigm of Permissibility, or, Early Reporting Strategies
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Chapter Two. Eighteenth-Century Observations from the Field
43 -
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Chapter Three. Interaction, Transformation, and Extinction
67 -
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Chapter Four. Shamanism among the Medical Researchers
97 - PART TWO. BACK TO FICTIONS AND FANTASIES: THE IMPLICATIONS OF SHAMANISM FOR THE ARTS IN EUROPE
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Chapter Five. The Impact of Russia on Diderot and Le neveu de Ranteau
117 -
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Chapter Six. Herder on the Artist as the Shaman of Western Civilization
132 -
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Chapter Seven. Mozart, or, Orpheus Reborn
150 -
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Chapter Eight. Shamans Failed and Successful in Goethe
166 -
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Chapter Nine. Faust, the Modern Shaman
183 -
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Afterword Toward a Shamanology
208 -
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Notes
217 -
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Bibliography
259 -
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Index
293