Kapitel in diesem Buch

1. Frontmatter i
2. Contents v
3. Preface vii
4. PART I: THE MOVE INWARD
5. Introduction 3
6. 1. Abe Jirō and The Diary of Santarō 7
7. 2. Kurata Hyakuzō and The Origins of Love and Understanding 22
8. 3. Taishō Culture and the Problem of Gender Ambivalence 37
9. PART II: CULTURE AND SOCIETY
10. Introduction 59
11. 4. Sociology and Socialism in the Interwar Period 61
12. 5. Tsuchida Kyōson and the Sociology of the Masses 83
13. 6. Disciplinizing Native Knowledge and Producing Place: Yanagita Kunio, Origuchi Shinobu, Takata Yasuma 99
14. PART III: MARXISM AND CULTURAL CRITICISM
15. Introduction 131
16. 7. Marxism Addresses the Modern: Nakano Shigeharu’s Reproduction of Taishō Culture 133
17. 8. “Credo Quia Absurdum”: Tenkō and the Prisonhouse of Language 154
18. 9. Ikkoku Shakai-shugi: Sano Manabu and the Limits of Marxism as Cultural Criticism 168
19. PART IV: JAPAN IN ASIA
20. Introduction 189
21. 10. Nitobe Inazō: From World Order to Regional Order 191
22. 11. A Vast and Grave Task: Interwar Buddhist Studies as an Expression of Japan's Envisioned Global Role 217
23. 12. A Turning in Taishō: Asia and Europe in the Early Writings of Watsuji Tetsurō 234
24. PART V: ART AND THE CONCEPT OF CULTURE
25. Introduction 259
26. 13. Kuki Shuzō and The Structure of lki 261
27. 14. Natsume Sōseki and the Development of Modern Japanese Art 273
28. 15. Yūgen and Erhabene: Ōnishi Yoshinori’s Attempt to Synthesize Japanese and Western Aesthetics 282
29. Contributors 301
30. Index 303