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The Linguistic Moment
From Wordsworth to Stevens
-
and
Language:
English
Published/Copyright:
2014
About this book
This series of readings, explores the functioning of moments in poems when the medium--language--becomes an issue.
Originally published in 1985.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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Frontmatter
i -
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CONTENTS
vii -
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ACKNOWLEDGMENTS
ix -
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PREFACE. Between Theory and Practice
xiii -
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CHAPTER ONE. From Stevens to Arnold to Wordsworth
1 -
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CHAPTER TWO. Wordsworth
59 -
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CHAPTER THREE. Shelley
114 -
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CHAPTER FOUR. Browning
180 -
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CHAPTER FIVE. Hopkins
229 -
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CHAPTER SIX. Hardy
267 -
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CHAPTER SEVEN. Yeats
316 -
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CHAPTER EIGHT. Williams
349 -
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CHAPTER NINE. Stevens
390 -
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POSTFACE. Between Practice and Theory
423 -
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INDEX
435 -
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Backmatter
446
Publishing information
Pages and Images/Illustrations in book
eBook published on:
July 14, 2014
eBook ISBN:
9781400854769
Edition:
Course Book
Pages and Images/Illustrations in book
eBook ISBN:
9781400854769
Keywords for this book
Poetry; Narcissism; Dramatic monologue; Antithesis; Poetic diction; Kenneth Burke; Internal rhyme; Jude the Obscure; Romanticism; Closet drama; Nominalism; Simile; Laurence Sterne; Walter Savage Landor; Metonymy; Realism (arts); Catachresis; The Summer Solstice; Good and evil; Man alone (stock character); Aesthetic Theory; Assonance; Caesura; Metempsychosis; Wallace Stevens; Friedrich Nietzsche; Marcel Duchamp; False title; In Parenthesis; Anathema; J. L. Austin; Figure of speech; Archetype; Mise en abyme; Etymology; Philosophical Investigations; Parody; Arthur Schopenhauer; Parable; Adage; Aestheticism; Haddocks' Eyes; John Wain; Walter Pater; Emerald Tablet; The Dynasts; Catharsis; Lyrical Ballads; Leveling (philosophy); Geoffrey Hartman; English poetry; Conflation; Magic word; Letter to His Father; Pun; Apologue; Rainer Maria Rilke; Allegory; Categorical imperative; Delusion and Dream in Jensen's Gradiva; Arthur Symons; Anthropomorphism; Solipsism; The Red Wheelbarrow; Couplet; Raymond Geuss; M. H. Abrams; Robert Browning; Book; Oxymoron
Audience(s) for this book
For an expert adult audience, including professional development and academic research