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The Genesis of Ezra Pound's CANTOS
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Language:
English
Published/Copyright:
2014
About this book
Ronald Hush traces the organic development of the poem and demonstrates that what seems to be eccentricity in the Cantos frequently corresponds to the common practice of Pound's contemporaries.
Originally published in 1977.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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Frontmatter
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CONTENTS
vii -
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INTRODUCTION
ix -
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PREFACE TO THE PAPERBACK EDITION
xi -
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CHAPTER I. RED HERRINGS
1 -
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CHAPTER II. A FIRST SET OF STRUCTURAL TERMS
21 -
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CHAPTER III. THE GROWTH OF THREE CANTOS
53 -
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CHAPTER IV. TOWARD A NEW NARRATIVE VOICE CHAPTER V STAGES OF REVISION
142 -
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CHAPTER V. STAGES OF REVISION
183 -
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CHAPTER VI. “MURMUR OF OLD MEN'S VOICES”
264 -
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Appendix A. A Guide to the Publication History of the Cantos up to and Including 1925's A Draft of XVI. Cantos of Ezra Pound for the Beginning of a Poem of some Length
301 -
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Appendix Β. The Future Cantos
304 -
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Appendix C. Canto VI as it originally appeared in A Draft of XVI Cantos
313 -
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ABBREVIATIONS
317 -
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GENERAL INDEX
319 -
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INDEX OF POUND'S WORKS
329
Publishing information
Pages and Images/Illustrations in book
eBook published on:
July 14, 2014
eBook ISBN:
9781400853397
Edition:
Course Book
Pages and Images/Illustrations in book
eBook ISBN:
9781400853397
Keywords for this book
Poetry; The Cantos; Ezra Pound; Samuel Taylor Coleridge; Richard Aldington; Sordello (poem); Aeschylus; Odysseus; Jeremiad; Vorticism; Arnaut Daniel; Gerontion; Literary modernism; American poetry; Hugh Selwyn Mauberley; Juvenal; Herbert Read; Catullus; W. B. Yeats; Dada; The Love Song of J. Alfred Prufrock; Baucis and Philemon; Omar Pound; Modernist poetry; English poetry; On My First Sonne; T. S. Eliot; Divine Comedy; Stephen Dedalus; Wyndham Lewis; Dramatic monologue; Sordello; William Shakespeare; Dante Alighieri; Sonnet; Robert Browning; New Narrative; Bathos; The Realist; Layamon; Prose; George Antheil; Lorenzaccio; Metaphysical poets; Walter Pater; Rosenbaum; Remy de Gourmont; Lykourgos (king); Augury; Arthur Rimbaud; Juan de Mena; Veracity (Mark Lavorato novel); Pen name; Mr.; Postmodernism; Exordium (rhetoric); Wilfred Owen; Epic poetry; An Essay on Criticism; F. S. Flint; Tibullus; Imagism; Modernism; Francis Fergusson; Odes (Horace); Henri Gaudier-Brzeska; Ubi sunt; Trojan War; Giulio Romano; Peter Nicholls (writer)
Audience(s) for this book
For an expert adult audience, including professional development and academic research
