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"References". The Origins of Monsters: Image and Cognition in the First Age of Mechanical Reproduction, Princeton: Princeton University Press, 2014, pp. 133-160. https://doi.org/10.1515/9781400848867-012

(2014). References. In The Origins of Monsters: Image and Cognition in the First Age of Mechanical Reproduction (pp. 133-160). Princeton: Princeton University Press. https://doi.org/10.1515/9781400848867-012

2014. References. The Origins of Monsters: Image and Cognition in the First Age of Mechanical Reproduction. Princeton: Princeton University Press, pp. 133-160. https://doi.org/10.1515/9781400848867-012

"References" In The Origins of Monsters: Image and Cognition in the First Age of Mechanical Reproduction, 133-160. Princeton: Princeton University Press, 2014. https://doi.org/10.1515/9781400848867-012

References. In: The Origins of Monsters: Image and Cognition in the First Age of Mechanical Reproduction. Princeton: Princeton University Press; 2014. p.133-160. https://doi.org/10.1515/9781400848867-012

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Chapters in this book

Frontmatter i
Contents ix
Illustrations xi
Acknowledgments xv
Introduction 1
1. Image and Economy in the Ancient World: The Bronze Age of Mikhail Rostovtzeff 8
2. Materials for an Epidemiology of Culture 19
3. The Hidden Shaman: Fictive Anatomy in Paleolithic and Neolithic Art 33
4. Urban Creations: The Cultural Ecology of Composite Animals 50
5. Counterintuitive Images and the Mechanical Arts 74
6. Modes of Image Transfer: Transformative, Integrative, Protective 88
Conclusion. Persistent, but Not Primordial: Emergent Properties of Cognition 108
Notes 113
References 133
Index 161

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https://doi.org/10.1515/9781400848867-012

Chapters in this book

Frontmatter i
Contents ix
Illustrations xi
Acknowledgments xv
Introduction 1
1. Image and Economy in the Ancient World: The Bronze Age of Mikhail Rostovtzeff 8
2. Materials for an Epidemiology of Culture 19
3. The Hidden Shaman: Fictive Anatomy in Paleolithic and Neolithic Art 33
4. Urban Creations: The Cultural Ecology of Composite Animals 50
5. Counterintuitive Images and the Mechanical Arts 74
6. Modes of Image Transfer: Transformative, Integrative, Protective 88
Conclusion. Persistent, but Not Primordial: Emergent Properties of Cognition 108
Notes 113
References 133
Index 161

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