The Tyranny of Guilt

Pascal Bruckner is the award-winning author of many books of fiction and nonfiction, including the novel Bitter Moon, which was made into a film by Roman Polanski. Bruckner's nonfiction books include Perpetual Euphoria and The Paradox of Love (both Princeton).

"Pascal Bruckner has written a passionate meditation that many, especially on the Left, will find provocative. One might even hope that this little book will awaken European thinkers from their dogmatic slumber and lead them to consider the advantages and disadvantages of history for European civic life."---Daniel DiSalvo, Society --- "It's no put-down of Pascal Bruckner's latest book to say I enjoyed it in the same way I enjoyed the Daily Express, although his canvas is bigger and his style more literary and erudite. . . . In this work, [Bruckner] has many shrewd insights into contemporary Europe."---Tara McCormack, Spiked --- "Bruckner, a French intellectual, argues brilliantly if controversially it's high time the West lighten up, bring historical perspective to itself, celebrate its more prosperous institutions, and stop hamstringing its relations with other groups."---Miriam Cosic, Australian --- "[Bruckner's] basic thesis is that the entire western world is addicted to wallowing in guilt about the past, and that the root of it all is roughly religious--stemming from the notion of original sin. Bruckner's most vivid illustration of our addiction to guilt is that so many thinkers and commentators could greet the murder of 3,000 people on September 11, 2001, with cries of 'we had it coming.'" --- "As the Obama administration and congressional Democrats work to make the United States a more European-style society, The Tyranny of Guilt arrives at the right time (and kudos to Princeton University Press for publishing such a bracing, politically incorrect book). Pascal Bruckner, who remains a man of the left in some sense, recognizes the true genius of the West--and the capacity of its brightest minds to forget that genius or, worse, condemn it."---Brian Anderson, New Criterion --- "Bruckner's originality lies in taking the narcissism of Western guilt and using the old distinction between repentance, where one resolves to find absolution by doing better, and remorse, where one wallows in perpetual penitence, to create a synthesis of great explanatory power."---Nick Cohen, The Australian --- "In Pascal Bruckner's recent essay The Tyranny of Guilt, we finally get an argument that should move those ready away from the masochistic acceptance of blame for every bad thing in the world."---Stanley Crouch, Daily Beast --- "Bruckner shows how selective we are about teaching history and how our media is obsessed with only one struggle (Israel/Palestine) while ignoring others (Sudan/Darfur). The essay, translated into clear American English, is provocative, scholarly and accessible."---Julia Pascal, The Independent --- "These provocative statements undergird Bruckner's brilliant polemic arguing that European remorse for the sins of imperialism, fascism, and racism has gripped the continent to the point of stifling its creativity, destroying its self-confidence, and depleting its optimism."---Daniel Pipes, National Review Online --- "[M]agnificent." --- "In the end, Bruckner's real theme is something deeper and broader: Western guilt and the resulting lack of self-belief. Again, he sees the origins of this in a guilty conscience, and there is an echo here of debates sixty or more years ago over Communism."---Geoffrey Wheatcroft, National Interest --- "[Pascal Bruckner's] angry book could change a whole civilization's opinion, if only that civilization had sense enough to pay attention."---Robert Fulford, National Post --- "Bruckner's book is controversial at times, but he does a wonderful job of combining passionate writing with a well-argued critique of modern Europe." --- "Mr. Bruckner cites literary figures, journalists and intellectuals throughout the Western world making the case that whatever punishment the West has been made to suffer--e.g., the horrors of 9/11--are merely well deserved." --- "As a result of his literary background and immersion in the fiery French essayist tradition, he writes in a sparkling prose, captured well here by his translator, Steven Rendall. The resulting tone is redolent for Anglo-Saxon readers of an earlier era, when social critics like Marx or Nietzsche conveyed their ideas with combative gravitas. Beneath Bruckner's eloquence is a serious message: we remain prisoners of a white guilt whose victim is its supposed beneficiary. . . . [T]his is a stirring and important book."---Eric Kaufmann, Prospect --- "When it comes to the sweaty metabolism of guilt, Bruckner is perhaps the most accomplished anatomist since Nietzsche. (He is also, like Nietzsche, an extraordinary stylist, commanding a sinewy, memorably epigrammatic prose.) . . . Ferociously intelligent, passionately argued, stylistically brilliant."---Roger Kimball, National Review --- "[The Tyranny of Guilt] is a work of bracing lucidity and exhilarating perception. . . . Europe needs to rethink its attitude towards its past if it is to build a more inclusive and dynamic future. As this exceptional book so emphatically shows, guilt is a luxury we can no longer afford."---Andrew Anthony, The Observer --- "That Bruckner's talents defy classification might help to account for the relatively understated reception of his work on this side of the Atlantic. This situation is likely to change soon: along with The Tyranny of Guilt, Princeton University Press will also publish Perpetual Euphoria. . . . Bruckner is a bold and eloquent and important thinker."---Richard Wolin, New Republic --- "The Tyranny of Guilt is one of the landmark books of our time. With humour, depth, breadth, restraint and great insight Bruckner diagnoses an infuriating era. . . . Pascal Bruckner's short book is one of the most vital published in recent years. If the civilisation which it explains survives then I suspect his book will have played as important a part as any piece of writing could in determining that outcome."---Douglas Murray, Literary Review