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Chapter 1 Sisters in Arms, or How Collectivity Facilitates an Individual’s Agency
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Alicja Bemben
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Chapters in this book
- Frontmatter i
- Contents v
- List of Figures vii
- Notes on Contributors ix
- Acknowledgements xiii
- Foreword xiv
- Introduction 1
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Part I Collectivity and Agency
- Chapter 1 Sisters in Arms, or How Collectivity Facilitates an Individual’s Agency 19
- Chapter 2 Agency and Sisterhood in the Revisionist Western: The Missing, The Keeping Room and Godless as Feminist Westerns 38
- Chapter 3 Gangs or Vigilantes: Locating Action and the ‘Angry Young Women’ of Bollywood in Gulaab Gang 56
- Chapter 4 The ‘Mountain Woman’ in Woman at War: An Eco-Activist Action Heroine and her Sister(s)-in-Arms 74
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Part II Feminisms and Femininities
- Chapter 5 ‘Once Upon a Time There Were Three Little Girls’: Violence, Glamour and Working Women in Charlie’s Angels 95
- Chapter 6 Exploring the Second Closet: Femininity and Power in 2019’s Charlie’s Angels 115
- Chapter 7 ‘I Know My Value’: Feminism, Femininity and Transgression in Marvel’s Agent Carter 130
- Chapter 8 Harley Quinn: Trickster, Action Heroine and a Reluctant Team Player 149
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Part III Resistance and Recuperation
- Chapter 9 Friendship, Fashion and Action Comedy: Female Partnerships in US Action Cinema 167
- Chapter 10 The Girlfriend Action Flick 184
- Chapter 11 Armed and Dangerous: Policewomen in TV Series, a New Equality of Arms 209
- Chapter 12 Sisters in Arms in Terminator: Dark Fate 230
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Part IV Intersectionality and the Evolving Action Heroine
- Chapter 13 Passing the Baton: Age, Action and Mentorship in Three Hollywood Films 249
- Chapter 14 Be Gay, Do Crime? The Construction of Ocean’s 8 as a Lesbian Heist Film 267
- Chapter 15 ‘Nubian Queen Rise’: The Black Queer Action Heroine, Sisterhood and the Closet in Captain Marvel and The Harder They Fall 283
- Chapter 16 The Old Guard’s New Order: Gina Prince-Bythewood, Andy and Nile, and ‘the Opportunity to Put a Young Black Female Hero into the World’ 305
- Index 321
Chapters in this book
- Frontmatter i
- Contents v
- List of Figures vii
- Notes on Contributors ix
- Acknowledgements xiii
- Foreword xiv
- Introduction 1
-
Part I Collectivity and Agency
- Chapter 1 Sisters in Arms, or How Collectivity Facilitates an Individual’s Agency 19
- Chapter 2 Agency and Sisterhood in the Revisionist Western: The Missing, The Keeping Room and Godless as Feminist Westerns 38
- Chapter 3 Gangs or Vigilantes: Locating Action and the ‘Angry Young Women’ of Bollywood in Gulaab Gang 56
- Chapter 4 The ‘Mountain Woman’ in Woman at War: An Eco-Activist Action Heroine and her Sister(s)-in-Arms 74
-
Part II Feminisms and Femininities
- Chapter 5 ‘Once Upon a Time There Were Three Little Girls’: Violence, Glamour and Working Women in Charlie’s Angels 95
- Chapter 6 Exploring the Second Closet: Femininity and Power in 2019’s Charlie’s Angels 115
- Chapter 7 ‘I Know My Value’: Feminism, Femininity and Transgression in Marvel’s Agent Carter 130
- Chapter 8 Harley Quinn: Trickster, Action Heroine and a Reluctant Team Player 149
-
Part III Resistance and Recuperation
- Chapter 9 Friendship, Fashion and Action Comedy: Female Partnerships in US Action Cinema 167
- Chapter 10 The Girlfriend Action Flick 184
- Chapter 11 Armed and Dangerous: Policewomen in TV Series, a New Equality of Arms 209
- Chapter 12 Sisters in Arms in Terminator: Dark Fate 230
-
Part IV Intersectionality and the Evolving Action Heroine
- Chapter 13 Passing the Baton: Age, Action and Mentorship in Three Hollywood Films 249
- Chapter 14 Be Gay, Do Crime? The Construction of Ocean’s 8 as a Lesbian Heist Film 267
- Chapter 15 ‘Nubian Queen Rise’: The Black Queer Action Heroine, Sisterhood and the Closet in Captain Marvel and The Harder They Fall 283
- Chapter 16 The Old Guard’s New Order: Gina Prince-Bythewood, Andy and Nile, and ‘the Opportunity to Put a Young Black Female Hero into the World’ 305
- Index 321