CHAPTER 16 Project Villa Sovietica Clashing Images, Expectations, and Receptions

Chapters in this book

1. Frontmatter i
2. Contents v
3. Illustrations vii
4. Acknowledgments ix
5. INTRODUCTION Montage as an Amplifier of Invisibility 1
6. PART I Montage as an Analytic
7. CHAPTER 1 Montage and Time Deleuze, Cinema, and a Buddhist Sorcery Rite 17
8. CHAPTER 2 Temporal Aesthetics On Deleuzian Montage in Anthropology 40
9. CHAPTER 3 All the Difference in the World Liminality, Montage, and the Reinvention of Comparative Anthropology 58
10. CHAPTER 4 Into the Gloaming A Montage of the Senses 76
11. PART II Montage in Writing
12. CHAPTER 5 Being a Montage 97
13. CHAPTER 6 Smith’s Tour Favela 106
14. CHAPTER 7 Labor Days A Non-Linear Narrative of Development 131
15. CHAPTER 8 Mind the Gap 145
16. PART III Montage in Film
17. CHAPTER 9 Women in Cities Comparative Modernities and Cinematic Space in the 1930s 159
18. CHAPTER 10 Radioglaz and the Global City Possibilities and Constraints of Experimental Montage 183
19. CHAPTER 11 Filming in the Light of Memory 198
20. CHAPTER 12 Montage as Analysis in Ethnographic and Documentary Filmmaking From Hunting for Plots Toward Weaving Baskets of Data 213
21. CHAPTER 13 In Defense of Observational Cinema The Significance of the Bazinian Turn for Ethnographic Filmmaking 226
22. PART IV Montage in Museum Exhibitions
23. CHAPTER 14 Assembling Potentials, Mounting Effects Ethnographic Exhibitions Beyond Correspondence 241
24. CHAPTER 15 Assembling Bodies Cuts, Clusters, and Juxtapositions 262
25. CHAPTER 16 Project Villa Sovietica Clashing Images, Expectations, and Receptions 278
26. AFTERWORD The Traffic In Montage, Then and Now 302
27. Contributors 308
28. Index 312