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Introduction: China and the Global Biopolitical Order
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Sheldon H. Lu
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Chapters in this book
- Frontmatter i
- Contents vii
- List of Illustrations ix
- Acknowledgments xi
- Introduction: China and the Global Biopolitical Order 1
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Part 1. Literature and Biopolitics
- 1. Waking to Global Modernity: The Classical Tale in the Late Qing 23
- 2. When Mimosa Blossoms: Blockage of Male Desire in Yu Dafu and Zhang Xianliang 38
- 3. Body Writing: Beauty Writers at the Turn of the Twenty-fi rst Century 53
- Part 2. Art: From the National to the Diasporic 69
- 4. The Naked Body Politic in Postsocialist China and the Chinese Diaspora 71
- 5. “Beautiful Violence”: War, Peace, Globalization 93
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Part 3. Sinophone Cinema and Postsocialist Television
- 6. Hollywood, China, Hong Kong: Representing the Chinese Nation-State in Filmic Discourse 115
- 7. History, Memory, Nostalgia: Rewriting Socialism in Film and Television Drama 130
- 8. Dialect and Modernity in Twenty-fi rst- Century Sinophone Cinema 150
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Part 4. Cityscape in Multimedia
- 9. Tear Down the City: Reconstructing Urban Space in Cinema, Photography, Video 167
- Historical Conclusion: Chinese Modernity and the Capitalist World-System 191
- Postscript: Answering the Question, What Is Chinese Postsocialism? 204
- Notes 211
- Chinese Glossary 233
- Bibliography 241
- Index 255
- About the Author 265
Chapters in this book
- Frontmatter i
- Contents vii
- List of Illustrations ix
- Acknowledgments xi
- Introduction: China and the Global Biopolitical Order 1
-
Part 1. Literature and Biopolitics
- 1. Waking to Global Modernity: The Classical Tale in the Late Qing 23
- 2. When Mimosa Blossoms: Blockage of Male Desire in Yu Dafu and Zhang Xianliang 38
- 3. Body Writing: Beauty Writers at the Turn of the Twenty-fi rst Century 53
- Part 2. Art: From the National to the Diasporic 69
- 4. The Naked Body Politic in Postsocialist China and the Chinese Diaspora 71
- 5. “Beautiful Violence”: War, Peace, Globalization 93
-
Part 3. Sinophone Cinema and Postsocialist Television
- 6. Hollywood, China, Hong Kong: Representing the Chinese Nation-State in Filmic Discourse 115
- 7. History, Memory, Nostalgia: Rewriting Socialism in Film and Television Drama 130
- 8. Dialect and Modernity in Twenty-fi rst- Century Sinophone Cinema 150
-
Part 4. Cityscape in Multimedia
- 9. Tear Down the City: Reconstructing Urban Space in Cinema, Photography, Video 167
- Historical Conclusion: Chinese Modernity and the Capitalist World-System 191
- Postscript: Answering the Question, What Is Chinese Postsocialism? 204
- Notes 211
- Chinese Glossary 233
- Bibliography 241
- Index 255
- About the Author 265