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  • Amanda C. Seaman
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Bodies of Evidence
This chapter is in the book Bodies of Evidence
© University of Hawaii Press, Honolulu

© University of Hawaii Press, Honolulu

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Acknowledgments ix
  4. CHAPTER 1. Introduction 1
  5. CHAPTER 2 .A Home of One’s Own Identity, Community, and Nostalgia in Miyabe Miyuki’s All She Was Worth 26
  6. CHAPTER 3. Office(r) Ladies Police Work as Women’s Work 57
  7. CHAPTER 4. Sex and Violence Is That a Gun in Your Pocket, or Are You Just Happy to See Me? 86
  8. CHAPTER 5. Sexing the City Bodies and Space in the Work of Matsuo Yumi 119
  9. Afterword 145
  10. Notes 151
  11. Bibliography 177
  12. Index 191
https://doi.org/10.1515/9780824861667-008

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Acknowledgments ix
  4. CHAPTER 1. Introduction 1
  5. CHAPTER 2 .A Home of One’s Own Identity, Community, and Nostalgia in Miyabe Miyuki’s All She Was Worth 26
  6. CHAPTER 3. Office(r) Ladies Police Work as Women’s Work 57
  7. CHAPTER 4. Sex and Violence Is That a Gun in Your Pocket, or Are You Just Happy to See Me? 86
  8. CHAPTER 5. Sexing the City Bodies and Space in the Work of Matsuo Yumi 119
  9. Afterword 145
  10. Notes 151
  11. Bibliography 177
  12. Index 191
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