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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Acknowledgments vii
- Why Women’S Art? An Introduction 1
- The (In)Visibility Of The Female Body In An Art Tradition: A Historical Framework 16
-
Part I. Gendering Of Historiography
- 1. Reimagining Women’S History And Gendering Historiography 33
- 2. The Pregnant Nude And Photographic Representation 49
-
Part II. Gendering Of Sexuality
- 3. The Sexual Subject: Sexing The Body, Reversing The Gaze 69
- 4. The Body In Abstraction: The World Of Flowers And Crafts 87
-
Part III. Gendering Of Pain
- 5. Performing The Body, Expressing Pain 109
- 6. Ephemeral Bodies: Object Choice And Material Practice 128
-
Part IV. Gendering Of Space
- 7. From Ruin Aesthetics To Urban Narratives 149
- 8. Cyborg Bodies: Transgression Across The Real And The Virtual 170
- Postscript. An Impossible Closure: Gender Beyond The Body 191
- Notes 207
- Bibliography 235
- Index 249
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Acknowledgments vii
- Why Women’S Art? An Introduction 1
- The (In)Visibility Of The Female Body In An Art Tradition: A Historical Framework 16
-
Part I. Gendering Of Historiography
- 1. Reimagining Women’S History And Gendering Historiography 33
- 2. The Pregnant Nude And Photographic Representation 49
-
Part II. Gendering Of Sexuality
- 3. The Sexual Subject: Sexing The Body, Reversing The Gaze 69
- 4. The Body In Abstraction: The World Of Flowers And Crafts 87
-
Part III. Gendering Of Pain
- 5. Performing The Body, Expressing Pain 109
- 6. Ephemeral Bodies: Object Choice And Material Practice 128
-
Part IV. Gendering Of Space
- 7. From Ruin Aesthetics To Urban Narratives 149
- 8. Cyborg Bodies: Transgression Across The Real And The Virtual 170
- Postscript. An Impossible Closure: Gender Beyond The Body 191
- Notes 207
- Bibliography 235
- Index 249