Kapitel in diesem Buch

1. Frontmatter i
2. Contents vii
3. Introduction 1
4. Part I Time, Love, Sex, and Death
5. 1. Sites of Death as Sites of Interaction in Donne and Shakespeare 15
6. 2. “Nothing like the Sun”: Transcending Time and Change in Donne’s Love Lyrics and Shakespeare’s Plays 38
7. 3. “None Do Slacken, None Can Die”: Die Puns and Embodied Time in Donne and Shakespeare 61
8. Part II Moral, Public, and Spatial Imaginaries
9. 4. Donne, Shakespeare, and the Interrogative Conscience 83
10. 5. Mapping the Celestial in Shakespeare’s Tempest and the Writings of John Donne 111
11. Part III Names, Puns, and More
12. 6. Inserting Me: Some Instances of Predication and the Privation of the Private Self in Shakespeare and Donne 131
13. Improper Nouns: A Response to Marshall Grossman 141
14. 7. Aspects, Physiognomy, and the Pun: A Reading of Sonnet 135 and “A Valediction: Of Weeping” 148
15. Part IV Realms of Privacy and Imagination
16. 8. Fantasies of Private Language in “The Phoenix and Turtle” and “The Ecstasy” 167
17. 9. Working Imagination in the Early Modern Period: Donne’s Secular and Religious Lyrics and Shakespeare’s Hamlet, Macbeth, and Leontes 185
18. Notes 221
19. Contributors 279
20. Index 283