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book: Girl Head
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Girl Head

Feminism and Film Materiality
Language: English
Published/Copyright: 2020

About this book

Girl Head shows how gender has had a surprising and persistent role in film production processes, well before the image ever appears onscreen.

For decades, feminist film criticism has focused on issues of representation: images of women in film. But what are the feminist implications of the material object underlying that image, the filmstrip itself? What does feminist analysis have to offer in understanding the film image before it enters the realm of representation?

Girl Head explores how gender and sexual difference have been deeply embedded within film materiality. In rich archival and technical detail, Yue examines three sites of technical film production: the film laboratory, editing practices, and the film archive. Within each site, she locates a common motif, the vanishing female body, which is transformed into material to be used in the making of a film. The book develops a theory of gender and film materiality through readings of narrative film, early cinema, experimental film, and moving image art.

This original work of feminist media history shows how gender has had a persistent role in film production processes, well before the image ever appears onscreen.

Puts the often abstract philosophical notion of materialism into grounded, historically concrete, and culturally relevant terms.

Author / Editor information

Contributor: Genevieve Yue Genevieve Yue is an assistant professor in the Department of Culture and Media and director of the Screen Studies program at Eugene Lang College, the New School. Her essays and criticism have been published in October, Grey Room, The Times Literary Supplement, Reverse Shot, Artforum .com, Film Comment, and Film Quarterly. She is also an independent film programmer and serves on the Board of Trustees for the Flaherty Film Seminar.

Reviews

In this surprising and immensely pleasurable read, Yue reveals a hidden history of disappearing female bodies and their link to the materiality of film and its technical processes. Girl Head is a brilliant and original book and sure to be an important reference for media historians and film theorists alike.---Nico Baumbach, Columbia University --- Girl Head is a cogent, imaginative, and important book about the gendered underpinnings of the materials of cinema. It is an important contribution to feminist film history and to film studies more generally.---Catherine Russell, Concordia University

Topics

  • Publicly Available

    Frontmatter

    i
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    Contents

    vii
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    List of Plates and Figures

    ix
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    Introduction: The Body of Medusa

    1
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    1 China Girls in the Film Laboratory

    33
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    2 Gone Girls of Escamontage

    73
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    3 Gradivan Footsteps in the Film Archive

    102
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    Afterword

    129
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    Acknowledgments

    133
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    Notes

    135
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    Bibliography

    165
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    Index

    181
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Publishing information
Pages and Images/Illustrations in book
eBook published on:
November 11, 2020
eBook ISBN:
9780823289585
Pages and Images/Illustrations in book
View content
https://doi.org/10.1515/9780823289585
eBook ISBN: 9780823289585
Keywords for this book
materiality; feminism; film; experimental film; avant-garde film; production studies
Audience(s) for this book
For an expert adult audience, including professional development and academic research
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