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Afterword: Melodrama, Noir’s Kid Sister, or Crying in Trump’s America
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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Preface vii
- Introduction: Dark Passages 1
- 1. Toward Alphaville: Noir, Midcentury Communication, and the Management of Affect 29
- 2. Public Violence as Private Pathology: Noir Affect in The End of a Primitive 59
- 3. Cold Kink: Race and Sex in the African American Underworld 78
- 4. Noir Pedagogy: The Problem of Student Masochism in the Classroom Economy 99
- 5. The Shadows of the Twilight World: Beebo Brinker and the Circulation of Affect 122
- 6. Peripheral Noir, Mediation, and Capitalism: Noir Form, Noir Mediascape, Sociological Noir 137
- 7. Cyborg Affect and the Power of the Posthuman in the Ghost in the Shell Franchise 156
- 8. Playing with Negativity: Max Payne, Neoliberal Collapse, and the Noir Video Game 178
- 9. Chick Noir: Surveilling Femininity and the Affects of Loss in Gone Girl 197
- 10. Surplus Feelings: Neoliberal Noir and the Affective Economy of Debt 222
- 11. Capitalism as Affective Atmosphere: The Noir Worlds of Massimo Carlotto 241
- Afterword: Melodrama, Noir’s Kid Sister, or Crying in Trump’s America 261
- List of Contributors 275
- Index 279
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Preface vii
- Introduction: Dark Passages 1
- 1. Toward Alphaville: Noir, Midcentury Communication, and the Management of Affect 29
- 2. Public Violence as Private Pathology: Noir Affect in The End of a Primitive 59
- 3. Cold Kink: Race and Sex in the African American Underworld 78
- 4. Noir Pedagogy: The Problem of Student Masochism in the Classroom Economy 99
- 5. The Shadows of the Twilight World: Beebo Brinker and the Circulation of Affect 122
- 6. Peripheral Noir, Mediation, and Capitalism: Noir Form, Noir Mediascape, Sociological Noir 137
- 7. Cyborg Affect and the Power of the Posthuman in the Ghost in the Shell Franchise 156
- 8. Playing with Negativity: Max Payne, Neoliberal Collapse, and the Noir Video Game 178
- 9. Chick Noir: Surveilling Femininity and the Affects of Loss in Gone Girl 197
- 10. Surplus Feelings: Neoliberal Noir and the Affective Economy of Debt 222
- 11. Capitalism as Affective Atmosphere: The Noir Worlds of Massimo Carlotto 241
- Afterword: Melodrama, Noir’s Kid Sister, or Crying in Trump’s America 261
- List of Contributors 275
- Index 279