Kapitel in diesem Buch

1. Frontmatter i
2. Contents v
3. Introduction. The Claim of Art: Aesthetic Philosophy and Early Modern Artistry 1
4. Chapter 1. Allegory, Poetic Theology, and Enlightenment Aesthetics 31
5. Chapter 2. Object Lessons: Reifi cation and Renaissance Epitaphic Poetry 55
6. Chapter 3. How Do We Recognize Metaphysical Poetry? 77
7. Chapter 4. Literature, Prejudice, Historicity: The Philosophical Importance of Herder’s Shakespeare Studies 91
8. Chapter 5. Reaching Conclusions: Art and Philosophy in Hegel and Shakespeare 116
9. Chapter 6. “All Art Constantly Aspires to the Condition of Music”—Except the Art of Music: Reviewing the Contest of the Sister Arts 140
10. Chapter 7. The Beauty of Architecture at the End of the Seventeenth Century in Paris, Greece, and Rome 170
11. Chapter 8. Strokes of Wit: Theorizing Beauty in Baroque Italy 194
12. Chapter 9. Goya: Secularization and the Aesthetics of Belief 227
13. Chapter 10. Remembering Isaac: On the Impossibility and Immorality of Faith 257
14. Contributors 289
15. Index 293