Fordham University Press
The People's Right to the Novel
About this book
This study offers a literary history of the war novel in Africa. Coundouriotis argues that this genre, aimed more specifically at African readers than the continent’s better-known bildungsroman tradition, nevertheless makes an important intervention in global understandings of human rights.
The African war novel lies at the convergence of two sensibilities it encounters in European traditions: the naturalist aesthetic and the discourse of humanitarianism, whether in the form of sentimentalism or of human rights law. Both these sensibilities are present in culturally hybrid forms in the African war novel, reflecting its syncretism as a narrative practice engaged with the colonial and postcolonial history of the continent.
The war novel, Coundouriotis argues, stakes claims to collective rights that contrast with the individualism of the bildungsroman tradition. The genre is a form of people’s history that participates in a political struggle for the rights of the dispossessed.
Author / Editor information
Eleni Coundouriotis is Professor of English at the University of Connecticut.
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Topics
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Frontmatter
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Contents
v -
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List of Figures
vii -
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Acknowledgments
ix -
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Introduction: Naturalism, Humanitarianism, and the Fiction of War
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1. “No Innocents and No Onlookers”: The Uses of the Past in the Novels of Mau Mau
34 -
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2. Toward a People’s History: The Novels of the Nigerian Civil War
98 -
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3. “Wondering Who the Heroes Were”: Zimbabwe’s Novels of Atrocity
152 -
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4. Contesting the New Authenticity: Contemporary War Fiction in Africa
220 -
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Afterword
261 -
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Notes
275 -
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Works Cited
311 -
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Index
331